The following thesis examines Pieter Bruegel the Elder's religious paintings and audience engagement, as based not solely on the content of the works, but on their formal structure, as well. Vignettes and smaller figure groups within Bruegel's compositions provide the basic structure and platform for an intertextual and intervisual engagement. The religious, social, and political context of the mid-sixteenth century is also considered to help frame the connection between the viewer and the following paintings: Procession to Calvary (1564, Vienna), Sermon of St. John the Baptist (1566, Budapest) and Conversion of St. Paul (1567, Vienna). / Art History
| Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/1864 |
| Date | January 2010 |
| Creators | McCabe, Sophia Quach |
| Contributors | West, Ashley D., Hall, Marcia B. |
| Publisher | Temple University. Libraries |
| Source Sets | Temple University |
| Language | English |
| Detected Language | English |
| Type | Thesis/Dissertation, Text |
| Format | 76 pages |
| Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | http://dx.doi.org/10.34944/dspace/1846, Theses and Dissertations |
Page generated in 0.0026 seconds