This thesis interrogates how Lawrence Hill’s The Book of Negroes represents histories of violence ethically by utilizing Emmanuel Lévinas’s philosophy of ethics as a methodology for interpretation. Traditional slave narratives like Olaudah Equiano’s autobiography and postmodern neo-slave narratives like Toni Morrison’s Beloved animate the violence endemic to slavery and colonialism in an effort to emphasize struggles in conscience, the incomprehensible atrocities, and strategies of rebellion. However, this project illustrates how The Book of Negroes supplements these literary goals with Hill’s own imagination of how slaves contested the inhumanities thrust upon them. Through his aesthetic choices as a realist, Hill foregrounds the possibilities of pacifism, singular identities, and altruistic agency through his protagonist Aminata Diallo. These three narrative elements constitute Lévinas’s ethical peace, which means displaying a profound sensitivity towards the historical Other whom imperial discourses and traditional representations of catastrophes in Black history might obscure. / Graduate / 0325 / 0328 / 0352 / jaslife12@hotmail.com
| Identifer | oai:union.ndltd.org:uvic.ca/oai:dspace.library.uvic.ca:1828/4544 |
| Date | 24 April 2013 |
| Creators | Emode, Ruth |
| Contributors | Shlensky, Lincoln |
| Source Sets | University of Victoria |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Rights | Available to the World Wide Web |
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