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J.S. Bach's Six Suites for Solo Violoncello, BWV 1007-1012; Their History and Problems of Transcription and Performance for the Trombone, a Lecture Recital, Together with Three Recitals of Selected Works by Paul Hindemith, Georg Christoph Wagenseil, Richard Monaco, Darius Milhaud, Nino Rota, Giovanni B. Pergolesi, and Others

The dissertation consists of four recitals: three solo recitals and one lecture recital. The repertoire of all the programs contained both music written specifically for the trombone and transcriptions from various other instruments. The lecture recital, "J. s. Bach's Six Suites for Solo Violoncello, BWV 1007-1012? Their History and Problems of Transcription and Performance for the Trombone," was presented on June 20, 1983. The lecture was an attempt to illuminate the rationale and performance problems of transcribing the Bach 'cello suites to the modern tenor trombone with an F attachment and also to provide background information on the suites and the early solo emergence of the violoncello. The program included the performance of the Suite No. 2_ in d minor, BWV 1008, with the movements: Prelude, Allemande, Courante, Sarabande, Minuets I and II, and Gigue.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc331225
Date08 1900
CreatorsConger, Robert B. (Robert Brian)
ContributorsBrown, Leon F., Cho, Gene J., Papich, George
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatix, 27 leaves : music, Text
RightsPublic, Conger, Robert B. (Robert Brian), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.

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