This study begins with a discussion of step theory. Included in this discussion is the basis of chord succession, the idea of fundamental representation, and the uses of reinterpretation technique. These concepts are then used to demonstrate the continuity and logic of the harmonic language found in Strauss's Macbeth.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278998 |
| Date | 08 1900 |
| Creators | Bills, Danny C. |
| Contributors | Phipps, Graham Howard, Saslaw, Janna K., Sovik, Thomas Paul |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | v, 66 leaves : ill., Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Bills, Danny C. |
Page generated in 0.002 seconds