To many readers, the Victorian novel is synonymous with moral insight and Victorian criticism with moral philistinism. While the novel remains celebrated for its complex treatment of decision-making and sympathy, the evaluative judgments of Victorian critics have been dismissed as thematically reductive and imprecise. However, this study argues that the virtue terms that pervade Victorian discourse--words like "natural," "manly," "lucid," and "sincere"--invest sentence-level stylistic properties with ethical value because they embody aesthetic character. Rather than focus on the novel's action, characters, or themes, these "stylistic virtues" ascribe moral significance to "literariness" itself.
| Identifer | oai:union.ndltd.org:harvard.edu/oai:dash.harvard.edu:1/11181103 |
| Date | January 2013 |
| Creators | Sussman, Matthew Benjamin |
| Contributors | Price, Leah |
| Publisher | Harvard University |
| Source Sets | Harvard University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Rights | closed access |
Page generated in 0.0024 seconds