Return to search

As Good as it Gets: Redefining Survival through Post-Race and Post-Feminism in Apocalyptic Film and Television

Concentrating on six representative media sites, 28 Days Later (2002), Dawn of the Dead (2004), Land of the Dead (2005), Children of Men (2007), Snowpiercer (2013), and one television series The Walking Dead (2010-present), this dissertation examines the strain of post-millennial apocalyptic media emphasizing a neo-liberal form of collaboration as the path to survival. Unlike traditional collaboration, the neo-liberal construction centers on the individual’s responsibility in maintaining harmony through intra-group homogeny. Through close textual analysis, critical race theory, and feminist media studies, this project seeks to understand how post-racial and post-feminist representational strategies elide inequality and ignore tensions surrounding racial or gender differences to create harmony-through-homogeny in popular apocalyptic film and television.

Identiferoai:union.ndltd.org:USF/oai:scholarcommons.usf.edu:etd-8393
Date05 April 2018
CreatorsMcCarthy, Mark R.
PublisherScholar Commons
Source SetsUniversity of South Flordia
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceGraduate Theses and Dissertations

Page generated in 0.002 seconds