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Previous issue date: 2018-07-19 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work proposes an analysis of the discourses produced by film critics about the pornochanchadas, which were published between the years 1975 and 1979 in the cariocas newspapers Di?rio de Not?cias, Jornal do Brasil and Jornal Movimento. In three chapters, we investigate how this intellectual generation used to perceive and project the national cinema; the conditions of production and circulation of these erotic comedies; the different tastes, social classes and codes shared through these texts released in the press and the final ?product? of this film genre. To evidence the distinctions in the speeches of this group, we also searched other sources, such as the censorship reports and the full-length movies Gente fina? outra coisa (1977), A dama da Lota??o (1978) and O bem dotado, Homem de Itu (1978), which allowed us to accomplish specific case studies. We observed that these social agents, who were responsible for the mediation and the construction of readings about the movies that were playing in the Brazilian theaters in that period, associated the notion of subculture to our target by creating clear differentiations between legitimate and illegitimate cinema. In order to ascertain these hypotheses, we use elements from the discourse analysis for the purpose of understanding the role and the discursive forms of these reviews. / Este trabalho prop?e uma an?lise dos discursos produzidos pelos cr?ticos cinematogr?ficos referentes ?s pornochanchadas publicadas, entre os anos de 1975 e 1979, nos jornais cariocas Di?rio de Not?cias, Jornal do Brasil e Jornal Movimento. Em tr?s cap?tulos, procuramos investigar como esta gera??o intelectual percebia e projetava o cinema nacional; as condi??es de produ??o e de circula??o dessas com?dias er?ticas; os diferentes gostos, capitais e c?digos compartilhados por meio destes textos divulgados na imprensa e o ?produto? final deste g?nero f?lmico. Para evidenciar as distin??es de fala desse grupo, buscamos tamb?m outras fontes, como os relat?rios de censura e os longas-metragens Gente fina ? outra coisa (1977), A dama da Lota??o (1978) e O bem dotado, Homem de Itu (1978), que nos permitiu estudos de casos espec?ficos. Observamos que esses agentes sociais, respons?veis pela media??o e constru??o de leituras sobre os filmes em cartaz no Brasil no per?odo, vincularam ao nosso objeto a no??o de subcultura, a partir de claras diferencia??es entre cinema leg?timo e ileg?timo. Para apurar essas hip?teses, utilizamos elementos oriundos da an?lise do discurso, a fim de compreender o papel e a forma discursiva destas cr?ticas.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/8250 |
| Date | 19 July 2018 |
| Creators | Reis, Gabbiana Clamer Fonseca Falavigna dos |
| Contributors | Etcheverry, Carolina Martins |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Hist?ria, PUCRS, Brasil, Escola de Humanidades |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 1740700517806534787, 500, 500, 500, 600, -6557531471218110192, -3840921936332040591, 2075167498588264571 |
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