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The use of obsessions and delusions as a tragic device in the major plays of Eugene O'Neill

This introductory chapter contains definitions of obsessions and delusions, and examines the validity of these ideas as tragic devices. It discusses obsessions from the point of view of Freud and Jung.
The major plays of Eugene O’Neill have been divided into three psychological types: the first type we shall call the statement-of-the-problem plays; the second, the simple anima plays; the third, the complex anima plays. These terms and divisions will be explained as we proceed.

Identiferoai:union.ndltd.org:pacific.edu/oai:scholarlycommons.pacific.edu:uop_etds-1330
Date01 January 1942
CreatorsThomas, Ruth Bartlett
PublisherScholarly Commons
Source SetsUniversity of the Pacific
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceUniversity of the Pacific Theses and Dissertations

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