On the way to a more comprehensive and integrative historiography of music software, this paper proposes a survey of the main paradigms of music software development from the 1950s to the present. Concentrating on applications for music composition, production and performance, the analysis focusses on the concept and design of the human-computer-interaction as well as the implicit user.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:80624 |
| Date | 13 September 2022 |
| Creators | Möllenkamp, Andreas |
| Publisher | Staatliches Institut für Musikforschung |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, doc-type:conferenceObject, info:eu-repo/semantics/conferenceObject, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0029 seconds