Submitted by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-07-07T13:06:40Z
No. of bitstreams: 1
Dissertação de Sarah Roberta de Oliveira Carneiro.pdf: 2303593 bytes, checksum: 170abe30d0d5be4d52d41c4c705af266 (MD5) / Approved for entry into archive by Juarez Cardoso da Silva (juarez.cardoso@ufba.br) on 2016-07-11T19:42:26Z (GMT) No. of bitstreams: 1
Dissertação de Sarah Roberta de Oliveira Carneiro.pdf: 2303593 bytes, checksum: 170abe30d0d5be4d52d41c4c705af266 (MD5) / Made available in DSpace on 2016-07-11T19:42:26Z (GMT). No. of bitstreams: 1
Dissertação de Sarah Roberta de Oliveira Carneiro.pdf: 2303593 bytes, checksum: 170abe30d0d5be4d52d41c4c705af266 (MD5) / CNPq / Esta dissertação tem por objetivo abordar, sob a ótica do espetáculo, o Reisado Senhor do
Bonfim, localizado no povoado de Piau, no município de Piranhas, Alagoas, o que demanda
reconhecer duas diferentes concepções de espetáculo: uma construída por Guy Debord, cujo
esquema teórico analisa o espetáculo como uma experiência puramente mercadológica, e
outra defendida pelos autores: Patrice Pavis, teatrólogo que evidencia o espetáculo como tudo
que se oferece ao olhar, e Jean-Marie Pradier, estudioso da Etnocenologia, disciplina inserida
nas etnociências e que tem como objeto os comportamentos humanos espetaculares
organizados. Trata-se de uma reflexão acerca da dimensão espetacular da cultura popular
procurando perceber como a espetacularidade favorece a manutenção do Reisado Senhor do
Bonfim, e para tanto, além das referências teóricas relativas ao espetáculo, recorreu-se ao
arcabouço teórico de Néstor García Canclini, cujas assertivas a respeito dos processos de
hibridação foram posicionadas como contraponto em relação ao que os frankfurtianos Adorno
e Horkheimer escreveram sobre indústria cultural. O processo analítico desenvolvido no
trabalho permite repensar as questões relacionadas à tradição, considerando a globalização e a
abertura ao novo como experiências que podem vir a favorecer a manutenção das práticas
artísticas populares. A aferição do espetacular no Reisado Senhor do Bonfim serviu para
perceber como o olhar de quem não participa de sua vida social, ou seja, o olhar de quem é de
fora de Piau interfere na espetacularidade do grupo, compreensão que se fez possível, por
exemplo, ao acompanhar a participação do Reisado na Romaria de Santa Quitéria, cuja
carreata sai de Piau em direção ao povoado de Frencheiras, no município de Garanhuns,
Pernambuco. A viagem dá margem a uma leitura que aponta para a conexão entre o
espetacular e o olhar externo, e ainda à identidade, relação que também pode ser traçada
noutros eventos vividos pelo grupo, os quais, pela singularidade impressa, são classificados
como insólitos e exatamente por isso motivadores do espetacular. This dissertation has the goal of approaching the “Reisado do Senhor do Bomfim” under the
spectacle’s point of view, this spectacle happens at Piau town, Piranhas municipality,
Alagoas. The recognition of two different spectacle conceptions is demanded: one, built by
Guy Debord, whose theoretical scheme analyzes the spectacle as a purely merchandising
experience, and another one defended by the authors: Patrice Pavis, a playwright who
evidences the spectacle as everything offered to our eyes, and Jean-Marie Pradier, an
ethnoscenology scholar, a theme within the ethnoscience which has the organized spectacular
human behaviors as a target. This is about a reflection on the spectacular dimension of the
folk culture, expecting to understand how the spectacles favor the maintenance of the
“Reisado do Senhor do Bonfim” and, because of this, besides the theoretical references
related to the spectacle, we call on the theoretical outline of Néstor Garcia Canclini, whose
statements regarding the hibridation processes were set as a counterpoint regarding what the
frankfurtians Adorno and Horkheimer wrote about the culture industry. The analytical
process developed on this work allowed reviewing the issues related to tradition, considering
the globalization and the opening to new experiences with a possibility to keep the folk
artistic practices on happening. The assess of the spectacular regarding the “Reisado Senhor
do Bonfim” helped to realize about, how the point of view of someone who doesn’t
participate of its social life, that is, the view of a person who is not from Piau, interferes on
the group spectacularity, this comprehension was possible, for example, while observing the
participation in the Reisado, at the “Romaria de Santa Quitéria”, event that has a car parade
going from Piau to Frencheiras town, in the Garanhuns municipality, Pernambuco. The travel
gives the chance of having a lecture which points to the relationship between the spectacular
and the external view, and even to identity, relationship that can also be drafted in other
events lived by the group, which, by the given singularity, are classified as unusual and,
exactly because of this, motivate the spectacular. / This dissertation has the goal of approaching the “Reisado do Senhor do Bomfim” under the
spectacle’s point of view, this spectacle happens at Piau town, Piranhas municipality,
Alagoas. The recognition of two different spectacle conceptions is demanded: one, built by
Guy Debord, whose theoretical scheme analyzes the spectacle as a purely merchandising
experience, and another one defended by the authors: Patrice Pavis, a playwright who
evidences the spectacle as everything offered to our eyes, and Jean-Marie Pradier, an
ethnoscenology scholar, a theme within the ethnoscience which has the organized spectacular
human behaviors as a target. This is about a reflection on the spectacular dimension of the
folk culture, expecting to understand how the spectacles favor the maintenance of the
“Reisado do Senhor do Bonfim” and, because of this, besides the theoretical references
related to the spectacle, we call on the theoretical outline of Néstor Garcia Canclini, whose
statements regarding the hibridation processes were set as a counterpoint regarding what the
frankfurtians Adorno and Horkheimer wrote about the culture industry. The analytical
process developed on this work allowed reviewing the issues related to tradition, considering
the globalization and the opening to new experiences with a possibility to keep the folk
artistic practices on happening. The assess of the spectacular regarding the “Reisado Senhor
do Bonfim” helped to realize about, how the point of view of someone who doesn’t
participate of its social life, that is, the view of a person who is not from Piau, interferes on
the group spectacularity, this comprehension was possible, for example, while observing the
participation in the Reisado, at the “Romaria de Santa Quitéria”, event that has a car parade
going from Piau to Frencheiras town, in the Garanhuns municipality, Pernambuco. The travel
gives the chance of having a lecture which points to the relationship between the spectacular
and the external view, and even to identity, relationship that can also be drafted in other
events lived by the group, which, by the given singularity, are classified as unusual and,
exactly because of this, motivate the spectacular.
Keywords: Reisado Senhor do Bonfim; unusual events; external view; spectacularity;
maintenance.
| Identifer | oai:union.ndltd.org:IBICT/oai:192.168.11:11:ri/19680 |
| Date | 17 July 2006 |
| Creators | Carneiro, Sarah Roberta de Oliveira |
| Contributors | Câmara, Antônio da Silva, Boccia, Leonardo Vincenzo, Moura, Milton Araújo, Câmara, Antônio da Silva |
| Publisher | Faculdade de Filosofia e Ciências Humanas, Universidade Federal da Bahia, Programa de Pós-Graduação em Ciências Sociais, PPGCS-FFCH, brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFBA, instname:Universidade Federal da Bahia, instacron:UFBA |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0024 seconds