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Previous issue date: 2013-08-22 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Based on the presupposition that the arts in the West always counted on resources, supports, and devices pertaining to its time context, an reflection is intended regarding the scenic compositions mediated by digital technologies do. Such technologies are inserted in the daily routine, also composing artistic experiments, thus playing a dialogical role with the art/technology intersection. Therefore, the proposal is to investigate what relationships are established in the contemporary theatrical scene from the contagion by digital technologies, aiming at establishing this parallel through a dialogue with the authors discussing the subject, and also based on the group practices having technological resources as a determinant factor in their plays. Furthermore, a reflection should be made on the scene that incorporates or is carried out in intermediatic events, analyzing how digital technologies (re)configure compositional processes of the plays by GAG Phila7, in the city of S?o Paulo/SP. For such, the dissertation is organized in three sections comprising four moments, to wit: brief overview of the field, contextualization, poetic analysis and synthesis. Qualitative methods are used as the methodological proposal: semi-structure interview, note and document taking (program, website, playing book, disclosure material for advertising text, photographs, and videos). Within the universe of qualitative research, it works with the epistemological perspective of the Gadamer philosophical hermeneutics. The possibilities allowed by the double virtual (Internet/web) generated a type of theater with another material basis and new forms of organization and structure, being possible to perceive that such technological advances and the arts are mutually contaminated, generating a dislocation in the logics of theatrical composition, movement beginning with the artistic vanguards, gradually intensified, thus offering new possibilities of constructions and hybridization of the of the most different possible types. Experiment ―Profana??es_superf?cie de eventos de constru??o coletiva‖, idealized by Phila7 is inserted in this perspective. Object of the discussion of such research, the experiment works with possible poetics arising from the intersection with the digital technologies, aiming at identifying and problematizing the challenges from the technological evolution and expansion in a scenic context / Partindo do pressuposto de que as artes no ocidente sempre dispuseram de recursos, suportes e dispositivos pertencentes ao seu contexto de ?poca, pretende-se uma reflex?o acerca de composi??es c?nicas mediadas por tecnologias digitais. Tecnologias essas, que est?o inseridas no cotidiano, passando tamb?m a compor experimentos art?sticos, assumindo dessa forma um papel dial?gico por meio da intersec??o arte/tecnologia. Prop?e-se assim investigar quais as rela??es que se estabelecem na cena teatral contempor?nea a partir do cont?gio pelas tecnologias digitais, procurando tra?ar esse paralelo atrav?s do di?logo com autores que tratam do assunto, como tamb?m, valendo-se de pr?ticas de grupos que tem no uso de recursos tecnol?gicos fator determinante em suas encena??es. Al?m disso, se realiza uma reflex?o sobre a cena que incorpora ou se perfaz em eventos intermidi?ticos, analisando de que forma as tecnologias digitais (re)configuram os processos composicionais das encena??es do GAG Phila7, da cidade de S?o Paulo/SP. Para tanto, a disserta??o encontra-se organizada em tr?s cap?tulos que contemplam quatro momentos, a saber: breve panorama do campo, contextualiza??o, an?lise e s?ntese po?tica. Utiliza-se como proposta metodol?gica os m?todos qualitativos: entrevista semi-estruturada, tomada de notas e documentos (programa, site, caderno de encena??o, material de divulga??o para texto publicit?rio, fotografias e v?deo de registro). Dentro do universo da pesquisa qualitativa, trabalha-se com a perspectiva epistemol?gica da hermen?utica filos?fica gadameriana. As possibilidades abertas pelo duplo virtual (internet/web) gerou um tipo de teatro com outra base material e novas formas de organiza??o e estrutura??o, sendo poss?vel perceber que tais avan?os tecnol?gicos e as artes se contaminam mutuamente, gerando um deslocamento na l?gica da composi??o teatral, movimento iniciado com as vanguardas art?sticas, que vem se intensificando gradativamente, abrindo possibilidades de constru??es e hibridiza??es das mais diversas poss?veis. ? nessa perspectiva que se encontra inserido o experimento Profana??es_superf?cie de eventos de constru??o coletiva, idealizado pelo Phila7. Alvo das discuss?es da referida pesquisa, o experimento trabalha com po?ticas poss?veis surgidas da intersec??o com as tecnologias digitais, buscando apontar e problematizar os desafios advindos da evolu??o e expans?o tecnol?gica em um contexto c?nico
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/12459 |
| Date | 22 August 2013 |
| Creators | Martins, Larissa Hobi |
| Contributors | CPF:24525057572, http://lattes.cnpq.br/5026604704788382, Ciotti, Naira Neide, CPF:06335743841, http://lattes.cnpq.br/6380609562860913, Monteiro, Gabriela L?rio Gurgel, CPF:01218615702, http://lattes.cnpq.br/5144170619756716, Pereira, Jos? Am?ncio Tonezzi Rodrigues, CPF:02448468800, http://lattes.cnpq.br/8634159577430875, Ara?jo, Jos? S?vio Oliveira de |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Artes C?nicas, UFRN, BR, LINGUAGENS DA CENA E PEDAGOGIAS DA CENA |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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