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Previous issue date: 2016-04-22 / Nelson Falc?o Rodrigues (1912-1980) autor que introduziu a modernidade c?nica no Brasil, tamb?m se tornou conhecido por retratar, em suas obras, um mundo obscuro tomado por personagens obsessivos e perturbados, tais caracter?sticas foram decisivas para que a censura do Rio de Janeiro e S?o Paulo o acompanhassem em toda sua trajet?ria art?stica. Nesta disserta??o, trazemos ? luz processos da censura paulistana, das d?cadas de 40 a 60, referente ? tr?s obras teatrais: Senhora dos Afogados, Perdoa-me por me tra?res e Boca de Ouro; os quais foram disponibilizados pelo Arquivo Miroel Silveira - AMS da Escola de Comunica??o e artes-ECA da Universidade de S?o Paulo- USP. Atrav?s da abordagem denominada Cr?tica de Processo (SALLES, 2008a), enquanto extens?o da Cr?tica Gen?tica, problematizamos alguns fatores que atravessaram o processo criativo das obras teatrais do dramaturgo. Para tal explana??o, fomos guiados pelo conceito de Redes da Cria??o, do qual foi poss?vel propor a constru??o de uma rede da cria??o rodriguiana, que em nossa leitura abarca: o termo filos?fico deforma??o (DIDI-HUBERMAN, 2010); a autocr?tica; e a Censura. Propomos uma leitura das 17 pe?as teatrais do dramaturgo e, em particular dos arquivos em censura, uma vez que indicam um momento espec?fico da constru??o da obra por conterem originais que foram afastados do alcance do autor. No confronto Documentos de processo versus obra publicada foram mapeadas diversas modifica??es. Constru?mos, portanto, essa complexa rede, delimitada pela nossa leitura cr?tica, por?m, capaz de nos aproximar ainda mais do dramaturgo que marcou uma ?poca e continua na contemporaneidade a nos inquietar com seu Teatro desagrad?vel. / Nelson Rodrigues (1912-1980) author who introduced the scenic modernity in Brazil,
also became known for portraying in his works, an obscure world taken by obsessive
and disturbed characters, such characteristics were decisive for the censorship of
Rio de Janeiro and Sao Paulo accompany him throughout his artistic career. In this
thesis, we bring to light cases of censorship S?o Paulo, of the 40 to 60, referring to
the three theatrical works: Lady of the Drowned, Forgive me for me and betray
Golden Mouth; which were provided by Miroel Silveira Archive - AMS School of
Communication and Arts ECA-University of S?o Paulo USP. Through the process
called Critical approach (SALLES, 2008a), as an extension of Genetic Critic,
problematize some factors that have gone through the creative process of theatrical
works of the playwright. For this explanation, we were guided by the concept of
Creation Network, which was proposed the construction of a Rodriguean creation,
which in our reading includes: the philosophical term deformation (DIDI-HUBERMAN,
2010); self-criticism; and censorship. We propose a reading of 17 theatrical
playwright parts and, in particular files on censorship, because they indicate a
specific time of the construction work to contain documents that were kept out of
reach of the author. In comparison process documents versus work published
several modifications were mapped. Built, so this complex network bounded by our
critical reading, however, able to bring us closer to the playwright that marked an era
and continues the contemporary to unsettle us with their unpleasant Theatre.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/21727 |
| Date | 22 April 2016 |
| Creators | Lima, Erickaline Bezerra de |
| Contributors | 06335743841, Ara?jo, Jos? S?vio Oliveira de, 24525057572, Guaraldo, Lais, 10301784884, Caramella, Elaine da Gra?a de Paula, 60758040806, Ciotti, Naira Neide |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ARTES C?NICAS, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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