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Previous issue date: 2017-01-30 / um importante tema para a constru??o da identidade imag?tica do Imp?rio; inserido neste corpus iconogr?fico, destaca-se a produ??o de viajantes europeus que, sob as mais distintas ins?gnias, relataram ? bico de pena, aquarelas e tintas, as mudan?as na col?nia rec?m al?ada ? condi??o de sede do Imp?rio portugu?s. Esta produ??o pict?rica auxiliou na constru??o do que se convencionou como paisagem urbana brasileira do Oitocentos, permeou pelos estudos e foi consolidada e legitimada pela historiografia ao longo da primeira metade do s?culo XX. Esta disserta??o prop?e analisar as representa??es iconogr?ficas da paisagem urbana das prov?ncias de Pernambuco, da Bahia e do Gr?o-Par? realizadas no primeiro quartel do s?culo XIX por dois viajantes ingleses: William John Burchell e Charles Landseer. Pretende-se observar nas perspectivas que se abrem a partir da leitura que os manuseios dessas imagens oferecem, o vislumbre de uma via de acesso distinta para interpretar o complexo quadro da paisagem urbana das vilas e cidades brasileiras da primeira metade do s?culo XIX. Membros da Miss?o Diplom?tica Inglesa, chefiada por Sir Charles Stuart e cujo objetivo era a negocia??o do reconhecimento por parte de Portugal do recente imp?rio brasileiro, foram designados a retratar e documentar o trajeto em solo brasileiro da comitiva. A an?lise fundamentou-se na revis?o bibliogr?fica, com enfoque na problematiza??o do material iconogr?fico produzido por Burchell e Landseer como fonte historiogr?fica sobre o assunto e na an?lise da iconografia elencada por meio de sua leitura formal e interpretativa. O material iconogr?fico revela transforma??es hist?ricas vividas pela sociedade ao qual pertence; contudo, h? mais neste discurso: obras de arte n?o s?o espelho, nos transmitem aspectos da realidade a partir de estratagemas: ora deslocando ou desfocando elementos, ora redimensionando aspectos do real. Investidas de car?ter documental desde a sua produ??o, a obra dos dois viajantes relativas ?s paisagens urbanas das prov?ncias mostrou-se permeada por esquemas figurativos, cujo emprego adiciona camadas de significa??o ainda pouco exploradas. / The representation of the Brazilian landscape of the early nineteenth century set up as an important issue for the construction of imagery identity of the empire; inserted in this iconographic corpus, there is the production of European travelers who, under the most distinctive insignia, reported to pen and ink, watercolors and inks, changes in the colony just heave the seat condition of the Portuguese Empire. This pictorial production helped in the construction of what is as Brazilian urban landscape of the nineteenth century, permeated the studies and has been consolidated and legitimized by historiography during the first half of the twentieth century. This thesis aims to analyze the iconographic representations of the urban landscape of the provinces of Pernambuco, Bahia and the G?o-Para held in the first quarter of the nineteenth century by two English travelers: William John Burchell and Charles Landseer. It is intended to observe the perspectives that open from reading the handlings of these images offer the glimpse of a different approach for interpreting the complex picture of the urban landscape of Brazilian towns and cities in the first half of the nineteenth century. Members of the Diplomatic English Mission, headed by Sir Charles Stuart, whose goal was the negotiation of the recognition by Portugal of the recent Brazilian Empire, were designed to depict and document the path on Brazilian soil of the entourage. The analysis was based on the literature review, focusing on questioning the iconographic material produced by Burchell and Landseer as a historiographical source on the subject and analysis of iconography selected through formal and interpretative reading. The iconographic material reveals historical transformations experienced by the society to which it belongs; however, there is more in this speech: works of art are not mirror, give us aspects of reality from stratagems: either shifting or blurring elements, now resizing aspects of the real. documentary character of investees from its production, the work of two travelers on urban landscapes of the provinces proved to be permeated by figurative schemes whose job adds layers of meaning still little explored.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/22389 |
| Date | 30 January 2017 |
| Creators | Moreira, B?rbara Gondim Lambert |
| Contributors | 91582610444, http://lattes.cnpq.br/9782385817332156, Nascimento, Jos? Clewton do, 52451887320, http://lattes.cnpq.br/3481803473530409, Nobre, Paulo Jos? Lisboa, 52290085472, http://lattes.cnpq.br/1983920756668716, Lira, Jos? Tavares Correia de, 08496943453, http://lattes.cnpq.br/3836900942201870, Dantas, George Alexandre Ferreira |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM ARQUITETURA E URBANISMO, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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