Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Visuais, 2011. / Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2011-05-26T15:56:07Z
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2011_GuilhermeAlvesCarvalho.pdf: 742965 bytes, checksum: 67efb427c805c317c70ea8d0052e3909 (MD5) / Estudo da telepresença no teatro com a imagem do ator projetada em vídeo e transmitida via Internet. Análise da teatralidade na telepresença. Defende características do ator telepresente: estar presente num espaço de onde tem controle de sua imagem, em tempo real, em um ou mais locais diferentes. Apresenta uma analogia do trabalho do ator telepresente com o ator-manipulador do teatro de formas animadas. O conteúdo é correlacionado com a montagem teatral da peça “Pitomba Online”, onde são descritos e analisados trechos que exemplificam as questões levantadas. _________________________________________________________________________________ ABSTRACT / The study of the telepresence in dramatics with the actor's image projected on video and
transmitted by Internet. It analyses the theatricality in the telepresence. It maintains features of the telepresent actor: being present in an area where you have control of your own image, at real time, at one or many different locations. It presents an analogy of the telepresent actor’s
work with the handler actor from Animated Forms of Theatre. The content is correlated to the stage production of the play "Pitomba Online”, where excerpts are described and analyzed to exemplify raised issues.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.unb.br:10482/8129 |
| Date | 18 January 2011 |
| Creators | Carvalho, Guilherme Alves |
| Contributors | Hartmann, Luciana |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UnB, instname:Universidade de Brasília, instacron:UNB |
| Rights | info:eu-repo/semantics/openAccess |
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