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Previous issue date: 2005-11-08 / The scenic plays in this research purposed to wake and to investigate the creative process and the creative scenic expressions and no creative . The vocable creativity derives of Latin creare that means to make new something, and of Greek krainem to realize. To create of the theatre can signify to invent, to express new and different corporal and verbal repertory on the subject s history. This research studied the creativity s phenomenon above viewpoint of subject, its process according to the qualitative research and the Historic-Cultural of Subjectivity s Theory. The creativity is viewed that a complex phenomenon involved one connection of complex psychological functions, can or cannot develop during subject s history of life. There were 9 subjects studied, from ages 21 to 45 years old. They did not have theatrical experience. There were 5 masculine and 4 feminine. The subjects arrived timid without corporal and verbal scenic repertory. Inside of the conversation dynamics showed, difficult of subjects how to create alone and with a group. During application, scenic plays the subjects development repertory of corporal and verbal expression. Inside conversation, dynamics begun to share blockades and fears connected of creation. News subjective senses were constituted and news configuration senses were connected to create to iniciate modification. The conclusion was that this group could create after occurred the emergency of critic subject that reflects about his values and his subjective senses and he intensifies his self-knowledge. So the scenic expressions showed different matrices with new corporal expressions and new verbal expressions. Finally, there was consideration that this theatre and its plays stimulated and developed new creative configurations and creative scenic expressions peculiar to each subject. I understood that this theatre and his plays stimulated and developed configuration creative news and creative scenic expressions singulars in the subjects. Consequently this theatre is understood in Theatre of Creativity: viewpoint of how play stimulates and transports the sleeping actor to create and how a protagonist plays in the scene of your life. / Os jogos de teatro, neste estudo, visaram despertar e investigar os processos criativos e as express?es c?nicas criativas e n?o-criativas. O termo criatividade deriva do latim, creare , que significa fazer algo novo e do grego krainem realizar. Criar cenicamente seria produzir, expressar repert?rio corporal e verbal novo e diferente na hist?ria do sujeito. Esta pesquisa estudou o fen?meno da criatividade do ponto de vista do sujeito, de seus processos segundo a pesquisa qualitativa e a Teoria Hist?rico-Cultural da Subjetividade. A criatividade ? vista como um fen?meno complexo, que envolve uma jun??o de fun??es psicol?gicas complexas, que podem ou n?o se desenvolver na trajet?ria de vida do sujeito. Foram estudados 9 sujeitos com idade entre 21 e 45 anos sem experi?ncia teatral 5 do sexo masculino e 4 do sexo feminino. Os sujeitos chegaram t?midos e sem repert?rio corporal nem verbal c?nico. Com o inicio das din?micas conversacionais apresentaram suas dificuldades de criar individualmente e em grupo. Com a aplica??o dos jogos c?nicos, os sujeitos foram desenvolvendo repert?rio de express?o corporal e verbal e, durante as conversas, come?aram a compartilhar medos e bloqueios relacionados ? cria??o. Novos sentidos subjetivos come?am a se formar, e as configura??es de sentido relacionadas ? cria??o come?am a se modificar. Conclui-se que este grupo conseguiu criar, ap?s emerg?ncia do sujeito cr?tico que reflete sobre seus valores e sentidos subjetivos e aumenta seu autoconhecimento. Assim a express?o c?nica vai se apresentando de forma diferenciada, com novos gestos corporais e novas express?es verbais. Por fim, notou-se que este teatro e seus jogos estimularam e desenvolveram novas configura??es criativas e express?es c?nicas criativas idiossincr?ticas em cada sujeito e, portanto, este teatro passou a ser compreendido como Teatro da Criatividade: visto como jogo que estimula e alavanca o ator adormecido para criar e atuar como ator protagonista no palco de sua vida.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede.bibliotecadigital.puc-campinas.edu.br:tede/156 |
| Date | 08 November 2005 |
| Creators | Zia, Katia Panfiete |
| Contributors | Rey, Fernando Lu?s Gonz?lez, Wechsler, Solange Muglia, Mart?nez, Albertina Mitj?ns |
| Publisher | Pontif?cia Universidade Cat?lica de Campinas, Programa de P?s-Gradua??o em Psicologia, PUC-Campinas, BR, CCV ? Centro de Ci?ncias da Vida |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_CAMPINAS, instname:Pontifícia Universidade Católica de Campinas, instacron:PUC_CAMP |
| Rights | info:eu-repo/semantics/openAccess |
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