My dissertation, The Question of Cross-Cultural Understanding in the Transcultural Travel Narratives about Post-1949 China, aims to intervene in the genre of travel writing and its critical scholarship by studying a flourishing but under-explored archive. Travel literature about (post-) Communist China is abundant and has been proliferating since 1979 when China began to implement its open-door policy. Yet its scholarship is surprisingly scanty. Meanwhile, in the field of travel literature studies, many critics read the genre as one that articulates Western imperialism, an archive where peoples and cultures are defined within conveniently maintained boundaries between home and abroad, West and non-West. Othersin the field of literary and cultural studies as well as other disciplineshave started to question the binary power relationship. However, some of this work may well reinforce the binary opposition, seeking only evidences of the travellers powerlessness in relation to the native; and some, conceiving travel only on a geographical plane, seems unable to transcend the dichotomy of home and abroad, East and West at a theoretical level.
My project is committed to further interrogating the binarism constructed by the genre of travel and its scholarship. My intervention is not to argue who gets an upper hand in a hierarchical relationship, but to challenge the stability of the hierarchy by foregrounding the contingency and complexity of cross-cultural relationships. My dissertation engages with the key issue of cross-cultural understanding and explicates various modalities of the travellers interpretation of otherness. By reading Canadian journalist Jan Wong, geophysicist Jock Tuzo Wilson, US Peace Corps volunteer Peter Hessler, American anthropologist Hill Gates, and humanist geographer Yi-Fu Tuan, I examine the ways in which the Western traveller negotiates and interprets foreignness, and probe the consequences of transcultural interactions. The overall argument of my dissertationin dialogue with other scholarship in the fieldis that travel not only (re)produces cultural differences but also paradoxically engenders a cosmopolitan potential that recognizes but transcends them. / English
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:AEU.10048/1233 |
| Date | 11 1900 |
| Creators | Chen, Leilei |
| Contributors | Williamson, Janice |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | 914564 bytes, application/pdf |
| Relation | Chen, Leilei (2009). Enlightened Ambivalence: Arrival and Departure in Peter Hesslers River Town: Two Years on the Yangtze. _Genre_ 29: 53-69., Chen, Leilei (2010). The Horizon of Cross-Cultural Understanding: A Case Study of Jock Tuzo Wilsons One Chinese Moon. _Studies in Travel Writing_: 77-96. |
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