In this thesis I develop the notion of discursive instance applied to the internal migrant’s prominent role in Peruvian film. Through an analysis of film production during the eighties, I demonstrate that urban film reveals the crisis of the predominance of creole subjectivity within a cultural homogeneity. In opposition to this, it shows a heterogeneous process where the migrant referent, although part of the new urban context, belongs to a different cultural universe than that of its enunciator.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:OOU.#10393/24054 |
| Date | 23 April 2013 |
| Creators | Salinas Martínez, Pablo Manuel |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | Spanish |
| Detected Language | English |
| Type | Thèse / Thesis |
Page generated in 0.0027 seconds