The Cross is a long poem with a numerologically determined structure. In my introduction I examine some of the ideas behind the tradition of literary numerological composition, particularly those presented in the Timaeus of Plato and in Augustine's De musica. I then scrutinize number's aptness as a unifying principle in the poem, briefly elucidating the Golden Proportion and showing its centrality to the poem's structure, concluding with a look at my use of number metaphor. The Cross, partly and wholly the embodiment of these theories, follows. Its subject matter is the history of Montreal. Each book has a unifying focus: Book I centres on Jacques Cartier's explorations in 1535; Book II on the activities of the fictional character Mrs. Chau, in the recent past; and Book III on the visit of the Prince of Wales in 1860 for the inauguration of the Victoria Bridge.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.26272 |
| Date | January 1994 |
| Creators | Groves, T. C. (Thomas Cameron) |
| Contributors | Conway, C. A. (advisor) |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of English.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001430967, proquestno: MM99902, Theses scanned by UMI/ProQuest. |
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