Return to search

Le métissage dans l'œuvre indochinoise de Marguerite Duras /

This dissertation focuses on the issue of hybridity in Marguerite Duras' corpus of Indochinese texts, as well as on the meeting of identities in the colonial realm. In order to identify the problematics of colonial coexistence, we will address the themes of the encounter between the Orient and the Occident, the use of hybrid discourse and the role of memory in the process of rewriting. Edward Said's Orientalism theory as well as Homi Bhabha's concept of ambivalence in colonial discourse will serve as the basis for the analysis of the Indochinese cycle. Far from being a totalizing experience, hybridity will reveal itself as being a harrowing dichotomy.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.99588
Date January 2006
CreatorsDesaulniers, Elisabeth.
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageFrench
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Département de langue et littérature françaises.)
Rights© Elisabeth Desaulniers, 2006
Relationalephsysno: 002596849, proquestno: AAIMR32516, Theses scanned by UMI/ProQuest.

Page generated in 0.0058 seconds