Philadelphia has been a renowned center for musical development since the American Revolution. The city continues to produce influential composers who elevate the cultural tapestry of American art music. Women composers in Philadelphia have been writing innovative vocal music since the eighteenth century, including patriotic songs, children's songs, folk songs, parlor songs, musical farces, operettas, operas, cantatas, choral music, sacred music, art songs, and chamber music. The introduction of this monograph illuminates the lineage of a selected group of Philadelphian women composers. This includes biographical sketches, musical examples of their works, and a summary of their contributions, giving an inspiring account of their outstanding talent.
An increasing number of women composers are producing large-scale vocal works including orchestral choral works and operas. Art songs, however, accompanied by piano or in collaboration with a variety of instruments, continue to be an integral part of the output of contemporary women composers. Solo vocal art song collaboration is popular, and rightly so, for several reasons. The result of using a combination of instruments not only creates multi-textural sonorities, but also allows for “conversation” among the different performers. Secondly, composers can assign an instrument to be played in a particular fashion to create a specific atmosphere. Thirdly, art song is an intimate medium that does not require a large performance venue, so the cost is minimal. Also, there is a theatrical element in ensemble art song that pleases the audience as they experience the collaboration between the musicians as they interact with one another. Finally, in today’s technologically advanced society there are more opportunities for ways of expression through various kinds of multimedia.
Internationally acclaimed Philadelphia composer Andrea Clearfield has composed a large body of vocal works. She has written many arrangements of art song for a variety of voice types in collaboration with selected instruments. Her chamber work, A reminiscence sing for soprano, clarinet, and piano, is set to Walt Whitman’s “Out of the Cradle Endlessly Rocking” from his collection of twelve poems, Leaves of Grass (1855). The musical setting captures the essence of the American Romantic poet Walt Whitman, whose works celebrate nature, unity, and humanity. Through musical and textual analysis, I aim to offer performance goals for the singer. These include maintaining keen intonation while navigating dissonant open intervals, communication with the clarinetist throughout the work, and using Clearfield’s organized architecture of form to the utmost advantage to reveal the complex symbolism of Whitman’s poem.
Pulitzer Prize-winning and three-time Grammy winner Jennifer Higdon composes music that creates a kaleidoscope of textures. Her chamber work for soprano, violin, cello, and piano, Love Sweet, comprises five poems by Imagist poet Amy Lowell. I intend to reveal how Higdon’s skillful use of prosody creates the images that Lowell expresses in her poetry. This skill ultimately aids the singer in successfully relaying the text. Higdon uses extended jazz harmonies, strong rhythmic motifs, and dampened string technique in the piano to provide the cycle’s cohesiveness.
The city of Philadelphia has a rich musical heritage, to which women composers have contributed a great deal. As new vocal works composed by Philadelphia women continue to be an integral part of the mainstream classical repertoire, we must invest time and scholarship in understanding, performing, and teaching these new works. By studying the lineage of women composers in Philadelphia, one can learn about the significance of the city’s cultural landscape and discover the opportunities available to young composers. Through careful musical and poetic analysis, focusing on performance and interpretive strategies for collaborative art songs by Andrea Clearfield and Jennifer Higdon, I aim to prove these works accessible, enlightening, and fulfilling for performers and audiences alike. / Music Performance
| Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/8954 |
| Date | 08 1900 |
| Creators | Willson DeNolfo, Lisa |
| Contributors | Anderson, Christine L., Abramovic, Charles, Indik, Lawrence, Lindorff, Joyce, 1950- |
| Publisher | Temple University. Libraries |
| Source Sets | Temple University |
| Language | English |
| Detected Language | English |
| Type | Thesis/Dissertation, Text |
| Format | 174 pages |
| Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | http://dx.doi.org/10.34944/dspace/8918, Theses and Dissertations |
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