In the spring of 2023, Kungliga Operan in Stockholm, Sweden premiered their production of Stephen Sondheim's famous musical Sweeney Todd: The Demon Barber of Fleet Street. This study aims to analyze this production in regards to Mattias Fhyr's definition of the Gothic. It analyzes what gothic signs and themes are recognizable in the Kungliga Operan production of the musical and how they manifest on stage. The study applies the qualitative method of performance analysis, which uses a combination of semiotics and hermeneutics to analyze live performances. Semiotics is also used as the theoretical foundation of this essay. Fhyr's definition specifies that a gothic text depicts subjective worlds, that lack higher order and is characterized by an atmosphere of decay, destruction, and irresolvability, and that it contains labyrinthine qualities. Earlier research also shows that the Gothic can be found in almost all media, including theater. This study illustrates how this performance of Sweeney Todd contains and expresses the above mentioned themes. It also discusses the gothic genre's relationship with opera and comedy and how they are relevant in the performance. It explores the characters monstrous depictions, and examines different familial relations and themes in the musical, characteristic of the gothic genre. The study concludes that the Gothic can be found in the musical's set design and fictional locations, in the mood and atmosphere mostly created by the score, in the characters and their actions, as well as in the story itself.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:su-217650 |
| Date | January 2023 |
| Creators | Strömbom, Anna |
| Publisher | Stockholms universitet, Institutionen för kultur och estetik |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0023 seconds