My thesis attempts to answer the question of how narrative time is portrayed in Stephenie Meyer’s Twilight (2005). To examine this, I have chosen to utilize Gérard Genette’s use of the concepts order, duration, and frequency. These concepts are mainly taken from Genette’s Narrative Discourse: An Essay in Method (1980). In order to develop the discussion about time and narrative I also incorporate Martin Hägglund’s Dying for time: Proust, Woolf, Nabokov and About Time: Narrative, Fiction and the Philosophy of Time by Mark Currie. The analysis establishes that Meyer uses all three, order, duration, and frequency, in order to convey a very specific narrative. The order of the story shows how the character of Alice, who can see the future, has a very conditional relationship with time. Through the duration, we learn how the love interest, Edward Cullen, is highly prioritized in the main character and narrator’s eyes. This is also shown in the frequency, where the first-person narrator highly affects the passage of events by repeating specific actions. Twilight, in other words, uses many different ways to depict a distinct relationship with time
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:umu-195759 |
| Date | January 2022 |
| Creators | Eriksson, Evelina |
| Publisher | Umeå universitet, Institutionen för kultur- och medievetenskaper |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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