Hip-hop as a cultural phenomenon has gradually taken on a position as one of the post popular music genres in recent history. A form of music that still strongly relies on its roots as an artform for black males. Which has generated an excluding culture that enhances the dominating norm of masculinity. In regard to Sweden’s case of being an egalitarian country and even so having a hip-hop scene that reflects a different type of discourse in accordance with the dominating masculine norm. This generates an interest in how Swedish hip-hop artists (both female and male) construct gender from 2001 to 2021 which this thesis seeks to contribute to understand. Through critical discourse analysis which aims to facilitate the understanding of song lyrics through a three-step analysis of text, discursive practice, and social practice. Through six albums from 2001, 2011 and 2021 the interpretation and analysis came to an understanding that norms and structural circumstances seeks to exclude women and enhance a continued masculine music industry. With variations in the order of discourse with an underlying will of empowerment and autonomy.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:umu-198964 |
| Date | January 2022 |
| Creators | Lund, Theodor |
| Publisher | Umeå universitet, Statsvetenskapliga institutionen |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0046 seconds