In an ethnographic examination of the "modern" roller derby movement that began in the early 2000s, I explore Women's Flat Track Derby in Florida. What does it mean to be a roller derby player? How is she conceptualized and commodified? Or more centrally, how is third wave feminism used as a catalyst of this commodification? In order to fully appreciate, understand, and even embrace roller derby, I look at roller derby leagues as social movement organizations (SMOs) in order to note how they frame themselves and maintain collective identity the commodification of third wave feminism. First, I will explore various facets of the "modern" roller derby movement by way of gender, sexuality, and youth as central themes of roller derby culture and identity. Second, I note how roller derby utilizes rhetoric associated with third wave feminism. Third, I examine how roller derby is conceptualized as a social movement and while doing so note the charity organizations that various leagues support. I go on to explore how cultural capital is used in roller derby as a way to create insider knowledge while appropriating third wave feminism. Finally, I will look at how all aspects of roller derby I discussed illuminate a critique of third wave feminism. It is through these facets that I illustrate how the modern flat track roller derby employs third wave feminist rhetoric to produce and commodify the roller derby player identity.
| Identifer | oai:union.ndltd.org:USF/oai:scholarcommons.usf.edu:etd-5451 |
| Date | 01 January 2012 |
| Creators | Whitlock, Mary Catherine |
| Publisher | Scholar Commons |
| Source Sets | University of South Flordia |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Graduate School Theses and Dissertations |
Page generated in 0.0017 seconds