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Contrapunteo: The Question of "National" Theater in Turn-of-the-Century Argentina and Mexico

This project explores the phenomenon of National Theater in both Argentina and Mexico, specifically reevaluating the former's exemplarity and the latter's "failure." I propose that Fernando Ortiz's notion of contrapunteo is useful when thinking about the tensions found in National Theater, and I deploy this understanding to argue that, contrary to critical opinion, the "frivolous" Mexican theater scene was a key factor in the Mexican Revolution. / Romance Languages and Literatures

Identiferoai:union.ndltd.org:harvard.edu/oai:dash.harvard.edu:1/11181174
Date January 2013
CreatorsPolitte, Paul Edwin
ContributorsSommer, Doris
PublisherHarvard University
Source SetsHarvard University
Languageen_US
Detected LanguageEnglish
TypeThesis or Dissertation
Rightsclosed access

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