Thesis (MA (Dept. of Ancient Studies) -- University of Stellenbosch, 2005. / Throughout the centuries artists have visualised the imaginative works of Publius Vergilius Maro
in a variety of art forms. Paintings, frescoes, sculptures and even tapestries have made the wordscenes
of his great epic, the Aeneid, concrete. The thesis investigates only the illustration of the
epic in manuscripts and printed texts or translations. The illustrations of scenes in Book VI – the
journey of Aeneas in the underworld – are studied using the reception-historical approach. This is
to determine whether the illustrations of the Trojan hero’s journey in the underworld reflect the
reception of the Aeneid in the different eras or periods. The illustrator is a “reader” of the Aeneid
text or translation and consequently his/her illustration of a particular scene reflects his/her own
visual interpretation thereof.
Illustrations of Book VI in manuscripts like the Vergilius Vaticanus of late Antiquity and the mid-
15th century Riccardiana Vergilius of Apollonio di Giovanni are examined. A study of
illustrations in printed texts or translations range from the 1502 Grüninger edition of Vergil edited
by Sebastian Brant to the Book VI illustration of Thom Kapheim in a textbook published in 2001.
The aim is to establish how illustrators associated with Book VI, interpreted it, how their
environment and the spirit of the age influenced their visualisation and how their illustrations
reflect the reception of the epic throughout the centuries. Such a study hopes to provide a
contribution to Vergilian reception and Nachleben. In the process a better understanding can be
obtained for the importance and changing role of Aeneid VI and the whole epic in different eras.
It is found that the illustrators of the Aeneid – influenced by the different spirit of their times and
environments – brought forth unique visual interpretations of scenes in Book VI that suggest a
particular reception of the epic at that specific point of time. The illustrative spectrum of Book VI
throughout the centuries can be summarised as follows: revival, allegorisation, pedagogic,
realistic decoration and eventually increasingly unrealistic decoration. From late Antiquity to the
beginning of the 21st century, the illustrative visualisation of the journey of Aeneas in the
underworld indicates that there has always been a definitive response to Vergil and his epic.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:sun/oai:scholar.sun.ac.za:10019.1/1690 |
| Date | 03 1900 |
| Creators | Swanepoel, Liani Colette |
| Contributors | Malan, C. A., Cornelius, I., University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Ancient Studies. |
| Publisher | Stellenbosch : University of Stellenbosch |
| Source Sets | South African National ETD Portal |
| Language | Afrikaans |
| Detected Language | English |
| Type | Thesis |
| Rights | University of Stellenbosch |
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