Blood Brothers as a media project works as a diptych. There are two – seemingly identical – pieces of the project that must both be experienced to understand the project as a whole. The first piece of the project is the linear documentary. This part captures the experience as it exists in the past. It exists as a master copy of the original story of mine and my foster brother’s relationship. This version of the story will always exist in the past. The second part is the live-cinema documentary performance. In this version of the story, my foster brother and I are no longer only images on a screen; we are living, breathing, and emotional subjects in the present. Our presence alters how the audience consumes the material.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc149656 |
| Date | 08 1900 |
| Creators | Quam, Jonathon David |
| Contributors | Levin, C. Melinda, Khalaf, Tania, Stout, David, 1955- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Quam, Jonathon David, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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