This document's purpose is to analyze dualities found in different films of Shakespeare's Hamlet. Each version brings different ideas to it. By analyzing each version and focusing on the Ghost Scene, comparisons of the scene's symbolism are made between the musical scores.
The beginning chapters provide a history of film, film music, the play, and events up to the ghost scene. After these chapters come analyses of the scene itself. Each version uses different parts of the play for its own purposes, but there are many commonalities between them. The score for each version of the Ghost Scene will be analyzed independently of each other.
This work will contribute to musicology, film research, Shakespeare studies, and English scholarship.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc3253 |
| Date | 08 1900 |
| Creators | Dunn, John T. |
| Contributors | McKnight, Mark, 1951-, Notley, Margaret Anne, Jackson, Timothy L. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Dunn, John T., Copyright is held by the author, unless otherwise noted. All rights reserved. |
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