This study explores the experience of timelessness in music by examining the musical parameters that are in play and how those musical parameters affect and are affected by memory and expectation. I propose three types of musical timelessness that are derived from specific perceptual transitions and based on my analytical findings in music within the indie-rock, post-rock, and electronica/experimental music scenes.
| Identifer | oai:union.ndltd.org:uoregon.edu/oai:scholarsbank.uoregon.edu:1794/18712 |
| Date | 14 January 2015 |
| Creators | Schell, Hallel |
| Contributors | Rodgers, Stephen |
| Publisher | University of Oregon |
| Source Sets | University of Oregon |
| Language | en_US |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Rights | All Rights Reserved. |
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