In his analysis of modern theatre aesthetics, Hans-Thies Lehmann notes that performance has the ability to "destabilize the spectator's construction of identity and the 'other' " (Lehmann 5). This research project endeavours to test Lehmann's statement by applying it to the hybrid diasporic identity. Through the creation of a postdramatic performance text that focuses on the Palestinian diaspora and what Salman Rushdie refers to the longing for the 'imaginary homeland,' this thesis documents the creation of a performance text inspired by Edward Said's contrapuntal analysis.
In the first chapter, I define diaspora and hybridity and I provide the necessary context for my hybrid identity: Palestine and its diaspora. I detail the relationship between postdramatic theatre and identity, and I explore how the hybrid identity can be embodied in performance through an understanding of counterpoint and Said's contrapuntal analysis. In the second chapter, I explain the methods I used to create my performance text and to analyze my research and creative process. Finally, in my third chapter, I articulate the successes and failures of my research process and performance text through a final reflection.
| Identifer | oai:union.ndltd.org:uottawa.ca/oai:ruor.uottawa.ca:10393/43790 |
| Date | 18 July 2022 |
| Creators | Haley, Sarah A. |
| Contributors | Frappier, Louise, Meerzon, Yana |
| Publisher | Université d'Ottawa / University of Ottawa |
| Source Sets | Université d’Ottawa |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
| Rights | Attribution-NoDerivatives 4.0 International, http://creativecommons.org/licenses/by-nd/4.0/ |
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