141 |
John Donne and the Legacy of PetrarchWidmeyer, Earl E. January 1967 (has links)
Master of Arts (MA)
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142 |
The biblical elements in Milton's "Paradise regained"; The classical features in Milton's "Samson Agonistes"; A summary of Milton's Second defence of the people of England.Hall, Alfreda C. January 1933 (has links)
Master of Arts (MA)
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143 |
WORDSWORTH'S JOY IN NATURE AND ITS CONTEMPORARY RELEVANCELinstead, Herbert C. 09 1900 (has links)
Master of Arts (MA)
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144 |
Yeats and The Hugh Lane ControversyNimmo, Clarence David January 1966 (has links)
Master of Arts (MA)
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145 |
The Biblical Allusions in Milton's "Paradise Lost"Bryce, P. January 1940 (has links)
Master of Arts (MA)
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146 |
The Similes of John MiltonMackenzie, Barbara January 1935 (has links)
Master of Arts (MA)
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147 |
Patterns of Loss, Recovery, and Consolation in Certain Fourteenth Century PoemsEdwards, Stockwell Garfield Anthony January 1966 (has links)
Master of Arts (MA)
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148 |
The Implications of Time in The Alexandria QuartetRoebuck, Graham William January 1966 (has links)
Master of Arts (MA)
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149 |
A Comparison of Samson Agonistes with the Classical Drama of Greece, Particularly Oedipus TyrannusDallman, Marianne G. January 1930 (has links)
Master of Arts (MA)
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150 |
These Shadows of Imagination: A Psychoanalytical Approach to S.T. Coleridge's "Christabel"Blake, Laurie J. January 1983 (has links)
<p>Samuel Taylor Coleridge's poem "Christabel" is one of the many unfinished works that has intrigued critics since it was first published in 1816. Due to its incomplete nature the poem readily lends itself to a variety of interpretations, such as the theme of Christian redemption or, more popularly, the belief that the poem was one of the first tales in England of the vampire. Many of the interpretations to date, however, do not adequately explain Coleridge's failure to finish this haunting work, nor do they satisfy the emotional attachment that is formed between the reader and the characters of this poem.</p> <p>The major emphasis of this thesis will be to penetrate the literal level of the poem in order to explore the symbolic material which "covers but not hides" the intense amount of psychological material in the work. By following the thoughts and ideas of Sigmund Freud and Carl Jung, the ultimate desires, or wish fulfilment. of the narrator of the poem, will be explored as they are represented by the relationship between the poem's eponymous heroine, and the mysterious and Perilous visitor, Geraldine. This relationship and the many conflicts it arouses in the narrator will reveal a potent reason for Coleridge's abandonment not only of this particular work, but of poetic creation in general.</p> / Master of English
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