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A gera??o de 27 e o barroco: la mirada exuberante / 27?s generation and the baroque: exuberant lookMaldonado, Reny Gomes 27 April 2015 (has links)
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Previous issue date: 2015-04-27 / Do contexto de cria??o da licenciatura do Curso de Letras-Espanhol na UFRN, veio a
motiva??o para esta pesquisa, que apresenta um estudo liter?rio do grupo de poetas
conhecidos como Generaci?n del 27, surgido na Espanha dos anos de 1920. Muitos aspectos
deste estudo s?o temas das diversas disciplinas da licenciatura (Literatura Espanhola II,
Literatura Ibero-americana, Cultura Espanhola, Tradu??o em L?ngua Espanhola). Tamb?m
servir? este trabalho como inspira??o para novas reflex?es e propostas de tradu??o como
travessia entre a l?ngua de partida e de chegada, ? a tradu??o como negocia??o da
compreens?o entre as l?nguas, ? o decir casi lo mismo aqui em forma de poema (ECO, 2007),
na tentativa de perfazer novas aprendizagens, que ser?o compartilhadas com alunos da
gradua??o e da p?s-gradua??o, seja na modalidade de ensino, extens?o ou de novas pesquisas.
Para contextualizar o estudo dessa gera??o, elegeram-se as antologias organizadas por
Gerardo Diego, sob o t?tulo Poes?a Espa?ola (Antolog?as), publicada em 2007, pelas
Ediciones C?tedras, e a Antolog?a comentada de La Generaci?n del 27, de V?ctor Garc?a de la
Concha, publicada em 2006, pela Editorial Espasa Calpe. A pesquisa fez da Gera??o de 27
seu objeto de estudo e ? a partir de diversas leituras cr?ticas sobre a poesia feita por esses
jovens poetas, sua voca??o criativa de est?tica e vanguarda ? buscou-se compreender o
contexto da cria??o liter?ria desses poetas del 27. Constru?mos o nosso alicerce nas
contribui??es de Antonio Maravall (2009), Eugenio D?ors (s.d.), Severo Sarduy (1999),
Lezama Lima (2011), Alfonso Reyes (1958) e Deleuze (2005) dentre outros que aportaram a
compreens?o da linguagem barroca, dando ?nfase ao movimento pluridirecional,
desconstruindo sua linearidade, criando outras novas formas, como voltas, c?rculos, espirais
favorecendo encontros, distanciamentos ou iguais pontos de partida e chegada. Assim, os
poetas del 27 aproximaram o barroco do seiscentos numa releitura, e fizeram da celebra??o do
terceiro centen?rio da morte de G?ngora a mirada exuberante para a volta do esp?rito barroco.
Alfonso Reyes e Rub?n Dar?o disseram que verdadeiros far?is iluminaram os rumos dessa
gera??o de poetas: a luz que desdobra cintila em Garc?a Lorca, Jorge Guill?n, D?maso
Alonso, Gerardo Diego e o toureiro Ignacio S?nchez Mej?as, poetas que manifestaram
homenagens em grande estilo ao autor das Soledades, nos caf?s de Madrid e de toda a
Espanha. / From the context of the degree?s creation of Spanish literature and language?s course, at
UFRN, came the motivation to make this research, that presents a literary study of a poet?s
group known as Generaci?n del 27, that came in to light at Spain, on 1920. A lot of aspects of
this study are themes of many others disciplines, of this degree (Spanish Literature II, IberianAmerican
Literature, Spanish Culture, Translation in Spanish Language). This work will also
serve as inspiration to new reflections and proposes of translations, as bridges between the
language that goes and the other that comes. It is the Translation as comprehension?s
negotiation between languages, it is the decir casi lo mismo, here in poem?s form (ECO,
2007), in the attempt to conclude new learning, that will be shared with undergraduate and
graduate students, being at teaching area, extension or new researches. To contextualize this
generation?s studies, were elected the anthologies organized by Gerardo Diego, called Poes?a
Espa?ola (Antolog?as), published on 2007, by Ediciones C?tedras, and the Antolog?a
Comentada de La Generaci?n del 27, wrote by V?ctor Garc?a de La Concha, published on
2006, by Editorial Espasa Calpe. The research took Generacion Del 27 as their object of
research and - from many others critical reading about the poetry made by those young poets,
their creative vocation of aesthetics and vanguard ? wanted to understand the context of
literary?s creation of those poets del 27. We form our foundation with contributions by
Antonio Maravall (2009), Eugenio D?ors (s.d) Severo Sarduy (1999), Lezama Lima (2011),
Alfonso Reyes (1958) e Deleuze (2005) among others that brought the comprehension of the
baroque?s language, giving emphasis to pluridirectional movement, deconstructing it?s
linearity, creating others new forms, as returns, circles, spirals favoring encounters,
detachment or equal points of departure and arrivals. In this way, the poets del 27 approached
the baroque of six hundred on a re-reading, and made of the third centenary?s celebration of
the G?ngora?s a Mirada exuberante death, to the return of baroque?s spirit. Alfonso Reyes e
Rub?n Dar?o said that real lights highlighted the paths of this poets generation: The light that
desdobra scintillates on Garc?a Lorca, Jorge Gull?n, D?maso Alonso, Gerardo Diego and the
bullfighter Ignacio S?nchez Mej?as, poets that expressed tributes in big style to Soledades
author, at Madrid?s Caffe and all Spain.
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