This thesis applies the radical feminist perspective set out by MacKinnon (1993) and Dworkin (1995), to analyze the construction of female sexuality within popular Canadian men’s pornographic magazines and non-pornographic magazines. A mixed methods approach was used to analyze the images and text within the feature articles of the selected magazines. Results revealed that women continue to be constructed as sexual objects within both categories of magazines, but the earlier link identified by MacKinnon and Dworkin between violence and sexuality was on longer apparent. Instead, women were a sexual puzzle that the magazines attempted to unpack. Rather than a strict dichotomy between pornographic and non-pornographic magazines, a continuum of grey emerged whereby the level of explicitness between the two magazines increased as the continuum progressed from left to right, thereby demonstrating the pornographication of mainstream media, as per McNair (2002).

This thesis applies the radical feminist perspective set out by MacKinnon (1993) and Dworkin (1995), to analyze the construction of female sexuality within popular Canadian men’s pornographic magazines and non-pornographic magazines. A mixed methods approach was used to analyze the images and text within the feature articles of the selected magazines. Results revealed that women continue to be constructed as sexual objects within both categories of magazines, but the earlier link identified by MacKinnon and Dworkin between violence and sexuality was on longer apparent. Instead, women were a sexual puzzle that the magazines attempted to unpack. Rather than a strict dichotomy between pornographic and non-pornographic magazines, a continuum of grey emerged whereby the level of explicitness between the two magazines increased as the continuum progressed from left to right, thereby demonstrating the pornographication of mainstream media, as per McNair (2002).

This thesis applies the radical feminist perspective set out by MacKinnon (1993) and Dworkin (1995), to analyze the construction of female sexuality within popular Canadian men’s pornographic magazines and non-pornographic magazines. A mixed methods approach was used to analyze the images and text within the feature articles of the selected magazines. Results revealed that women continue to be constructed as sexual objects within both categories of magazines, but the earlier link identified by MacKinnon and Dworkin between violence and sexuality was on longer apparent. Instead, women were a sexual puzzle that the magazines attempted to unpack. Rather than a strict dichotomy between pornographic and non-pornographic magazines, a continuum of grey emerged whereby the level of explicitness between the two magazines increased as the continuum progressed from left to right, thereby demonstrating the pornographication of mainstream media, as per McNair (2002).

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This thesis applies the radical feminist perspective set out by MacKinnon (1993) and Dworkin (1995), to analyze the construction of female sexuality within popular Canadian men’s pornographic magazines and non-pornographic magazines. A mixed methods approach was used to analyze the images and text within the feature articles of the selected magazines. Results revealed that women continue to be constructed as sexual objects within both categories of magazines, but the earlier link identified by MacKinnon and Dworkin between violence and sexuality was on longer apparent. Instead, women were a sexual puzzle that the magazines attempted to unpack. Rather than a strict dichotomy between pornographic and non-pornographic magazines, a continuum of grey emerged whereby the level of explicitness between the two magazines increased as the continuum progressed from left to right, thereby demonstrating the pornographication of mainstream media, as per McNair (2002).

Feminist Current is a multi-author Canadian self-proclaimed feminist website which frequently publishes trans-exclusionary radical feminist (TERF) discourse via blogs, podcasts, and global news. This project is a critical discourse analysis of the ways in which Feminist Current communicatively constructs and deconstructs transgender identity in problematic and exclusionary ways. In this study, I consider significant definitions given through Feminist Current, entertain the question of whether TERF is a slur, and discuss the major themes. Based on twenty-three sampled essays published on Feminist Current, I find that Feminist Current authors use five major themes in their discourse: violence against women, strategic censorship, antimanipulation and pro-bodily autonomy, performances of humor and naivete, and calls for solidarity. This discourse functions to separate transwomen from women’s spaces and position transwomen as illegitimate and aggressive, while simultaneously repositioning radical feminism as a superior ideological framing.

The political tensions between different feminisms, emerging virtually in tandem with the origins of 'second wave' women's movements themselves, continue to present challenges for cooperation and collective action. If flourishing feminist solidarities are to be forged, it is imperative to attend to these divisions, requiring a robust understanding of how they have developed. Though a growing body of research exists on the emotions of feminism, alongside a much more expansive one on emotions and social movements more generally, the emotions of specific feminist movements remain relatively under-explored. This research aims to generate a deeper understanding of radical feminism through a historical examination of its emotion culture during the crucial transition between the development of the 'second wave' of Women's Liberation in the 1970s and the emergence of the 'third wave' in the 1990s. It takes radical feminist writings about the timely and controversial paradigms of medicine and psychoanalysis as a window on the movement's emotion culture in the 1980s. Employing archival documentary methods and a case study approach, the research draws upon the pivotal radical feminist magazine Trouble and Strife as its sole data source. Exploring the text through literary ethnographic analysis and foregrounding a historical lens, it surfaces radical feminism's emotion culture and highlights the way that its development was bound up with the specificities of its historical moment. The movement's emotion culture was fundamentally a relational one, constituted through its specific political lens on the relationships in which radical feminists were entangled. As the 'heady days' of 1970s radical social movements gave way to the British state's turn to neoliberalism, the proliferating reach of its individualist ideological paradigm, and deepening divisions between the evolving strands of the 'second wave', radical feminists were confronted with an array of changing relationships to negotiate. Their uniquely uncompromising stance toward men, their long-established tense relationship with socialist and Marxist feminisms, and their critical view of ascending feminist uptake of psychoanalysis gave rise to an emotion culture which centred around their relationships with each of these. This research contributes to theories of emotions in social movements by focusing on the historically and ideologically specific, rather than emphasising the more general social movement strategic goals which are a common (though not universal) focus in this area. It adds to a small body of work on background emotions, and shows one way that they can be studied empirically. It also contributes to the growing body of work on feminism and emotions, and particularly to research which aims to explain the contentions between feminisms, as feminist researchers move away from the outmoded view of these contentions as simplistic generational divides and seek out explanations through the complex emotionality of feminist relationships.

In the year of 2014, the new Swedish government declared itself as the world’s first feminist government. This thesis aims to study the Swedish foreign policy and thus to investigate if the declared feminist foreign policy has resulted in a changed foreign policy. By using two feminist theories; radical feminism and liberal feminism, the study’spurpose is to do a critical comparison between the governmental administration of Fredrik Reinfeldt in the years of 2010-2014, with the administration of Stefan Löfven between 2014-2018. After a recently finished first term of the feminist policy, the subject of this study is interesting in the perspective of evaluation. To investigate if the policy by fact has changed, a qualitative textual analysis will be used. Further, to analyze the foreign policy, foreign declarations from all years between 2011-2018 will constitute the material. In summary, the result demonstrates that a change in policy has appeared and can further be ascertained. Both administrations show clear features of liberal feminism. However, during the last term, between 2014-2018, the governmental policy has shown tendencies of more radical feminist elements. Although the world’s first feministgovernment has received great attention, the future of the feminist foreign policy is still indeterminate.

Radical feminism is often associated with the 1970s and 1980s in the United States. Although powerful in its goals of solidarity and coalitions, the movement is often criticized for its lack of attention to intersecting systems of power. However, several contemporary feminist spoken word poets are reconceptualizing radical feminism in their political projects, using the theories and activist strategies while paying attention to race, class, and sexuality. This piece traces some of the history and literature of radical feminism, Woman of Color feminism, contemporary Islamic feminism, and spoken word poetry. Using these frameworks, I close-read three poems: "Womyn Before" by Alix Olson, "The Herstory of My Hips" by C.C. Carter, and "99 cent lipstick" by Suheir Hammad to discuss the manner in which each uses coalitions. Olson's poem provides an analysis of the performative and textual aspects of the poem as a way to envision an activist project grounded in old social movements. Carter's poem connects history and archives, using a Woman of Color framework, and through Hammad, the structural critiques of an unjust system that disadvantages minority youth are seen through lenses of Women of Color and Islamic feminism. While these poets gain some knowledge from radical feminism, they interpret it in their poetry in ways that address the intersections of identity. / text

abstract: In this paper, I explore the ways in which the radical feminist activist group W.I.T.C.H. (Women’s International Terrorist Conspiracy from Hell) uses the figure of the witch to establish a collective identity as a social movement by using the theoretical framework of identity work. I first draw on the existing scholarship surrounding the history of witchcraft, witch persecution, and radical feminism, and I then apply this history in conjunction with identity work theory to analyze the public persona of the recently revived W.I.T.C.H., specifically the group that brought this movement back: W.I.T.C.H. PDX. By looking at the strategies that W.I.T.C.H. employs in their protest, social media presence, website, and interviews, I examine how W.I.T.C.H. has historically and currently built a collective identity despite being a loosely-connected network of local groups. / Dissertation/Thesis / Masters Thesis Social Justice and Human Rights 2018