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Battle has consistently been the most dangerous collective human activity. In battle, human beings risk serious wounding and even death. Consequently, the study of the motivation of soldiers in combat is important to Military history. Combat motivation in the army of eighteenth-century Britain merits study, since the subject as it pertains to pre-industrial armies has at present received little attention. The soldiers of Hanoverian Britain received motivation from several sources. Basic training in the eighteenth-century British army laid the foundations for certain relationships among military personnel which contributed to combat motivation. One such relationship was a network of primary ties among soldiers. The relationship between soldiers and officers was also important. The relationship between individual soldiers and the military institution as a whole also contributed to combat motivation. These relationships created a set of standards to which to army expected soldiers to react. When they reacted correctly, they were motivated to face the dangers of combat. / Master of Arts

This thesis is about how Moravian women in the community of Salem, North Carolina, challenged the policies of the church in order to gain more autonomy in the late 18th century. Settling into the Piedmont, these women encountered excessive materialism and a widely accepted racial hierarchy, which challenged the simple life of the Moravian community. I argue that although historians of Moravians have explored the dissent in the Salem community, they have not considered the desires of Moravian women and how their environment shaped them. Moravian Elders struggled to keep their congregation in line and were greatly concerned with the conduct of women. Young women running away with outsider men reflected poorly on their patriarchal control. Married women who conducted their households in a way that contradicted the guidance of the Elders, seemed to threaten the future of their community by corrupting the youth. Despite the efforts of the Elders to contain dissent, they were sometimes pushed to adjust their policies. Using the disciplinary records of the Elders, memoirs, the Single Sisters Diary, and various documents from the congregation, I examine the experiences and actions of Moravian women prior to their arrival in Salem and shortly after, the dissent and desires of Single Sisters, and how Married Sisters navigated the rules of the Brethren to run their own households. Despite the attempts of the Elders to curb disobedient behavior, many women were successful. Moreover, the disobedience of Moravian women exemplifies how women were involved in changing the Moravian church and the development of the Piedmont culture by challenging the policies of the church and seeking opportunities for freedom. / Master of Arts / In the second half of the eighteenth century, a group of German Lutheran reformers or Pietists, called the Moravians, started a congregation and community in the Piedmont region of North Carolina. Largely surrounded by small communities that were embracing materialism and benefiting from enslaved labor, Moravian Elders struggled to keep their congregation in line. This thesis examines how single and married Moravian women disobeyed the policies of the community in order to gain control over their marriages, work, and homes. These women navigated the spaces around them, southern racial hierarchy, and opportunities for dissent to garner some control over their lives and push back against the rules of the Elders. In this thesis, I argue that white Moravian women used private and public spaces to bend or break the rules of the Elders and gain new freedoms and autonomy. Furthermore, Moravian women had to consider their identities as white Moravian women in a slave owning society, which implied that they were superior to enslaved Black individuals. Due to these influences, Moravian women were inspired to dissent and challenge the Elders, which in turn inspired changes in the policies of the Moravian church.

This annotated translation of Chabanon's Musique considérée with accompanying analysis seeks to establish the aesthetic principles expressed in his book as a significant and independentdeparture from the musical doctrines which prevailed in eighteenth-century France.