This paper expands on the work of David Lewin, whose seminal work Generalized Musical Intervals and Transformations proposes, among other functions, the interval function or IFUNC. The interval function catalogs the type and number of directed pitchclass intervals between two different pitch-class sets. This paper proposes the concept of the IFUNC array, an ordered sequence of twelve digits representing the IFUNC values for an interval i = 0–11, reading either left to right or clockwise around a circle. It explores features of the interval function, including symmetry in the IFUNC array, and includes analysis of several excerpts from Anton Webern’s early atonal works. The paper addresses axes of symmetry, both in pitch-class sets and in interval functions. / School of Music

A ten year analysis was conducted on the ten county Nashville metro area to determine which atmospheric thermodynamic parameters are important for thunderstorm development in North-Central Tennessee. Spatiotemporal patterns of thunderstorm activity around the city were also studied. Two case studies depicting initiation (July 10, 2009) and bifurcation (June 13, 2010) of thunderstorms were additionally discussed. The purpose of the analysis was to determine whether heat from the urban heat island (UHI) or moisture from the Gulf of Mexico was a larger factor in thunderstorm formation. A similar methodology completed by Dixon and Mote (2003) for Atlanta, Georgia was used for Nashville, Tennessee. Two land based weather stations collecting dry-bulb temperatures, twice daily radiosonde measurements, and local NEXRAD weather radar were used to determine where, when, and how thunderstorms developed around Nashville. One-sample t-test hypothesis testing of 24-hour land-surface temperature differences ahead of each event along with average daily radiosondes dry-bulb and dewpoint temperatures at five standard pressure levels were examined to determine if statistically significant mean differences (α = 0.05) were found between average study days. Atmospheric stability indices and other moisture parameters such as precipitable water (PWAT), mixing ratio, theta-e, and lapse rates were examined for average differences between average study days. Ultimately, 22 events were found (18 initiations and 4 bifurcating) over the 10-year period with the non-drought years 2005 and 2010 exhibiting the most events. The warm season month of August showed the largest distribution of events with 8 events during diurnal hours (between 2 p.m.-4 p.m. CDT). The analysis also found 12 storm centers (32%) formed within 1km of interstate highways with 77% (23) of initiation locations falling within 3 km of limited access highways. Statistical results showed that moisture, rather than heat from the UHI, were a larger component to thunderstorm formation over the city of Nashville. / Department of Geography

The Shadow Line is a collection of six short stories featuring characters whose lives take them near, and often across, the metaphorical Line that separates light from dark. Some of these characters indeed straddle that Line, living lives of apparent uprightness while harboring the seeds of inescapable menace. Some hover on the outside of some social structure and yearn to cross over, to leave the shadows of their lives outside for the apparent radiance within. And some live in worlds of brightness and comfort, only to find themselves confronting sudden moments of inexplicable terror. Told from various points of view, these stories invite the reader to listen to the characters — to explore the secrets they keep, the fears and doubts and dangers they face as they confront the darkness — and to inhabit with them, for a short time, the menacing world on either side of the Shadow Line. / A story to tell -- Grass grows greener -- Salvation -- Places -- The delivery -- The ivory tower. / Department of English

The primary objective of this creative project was the exploration of cultural and self identity and the painting techniques used for their creation. The paintings are an attempt to portray through the use of the human figure and symbolic elements to communicate my personal struggle relating to events in my past, present, and future. In these three large paintings I have explored an approach reminiscent to German Expressionism style along with more contemporary motifs which are derived from my research and past experiences in painting at Ball State University. It was very important for me to spend time researching artist involved in the German expressionist movement, because they have been an integral part of reshaping the way I approach art. This body of work required a variety of traditional oil painting techniques including: canvas construction, under painting, stumbling, and glazing. / Department of Art

The primary objective of this creative project is to explore the meaning and complexity of simple forms, also referred to as symbols. The project examines symbols that interest me. These symbols may be found in various cultures and subcultures throughout the world. I also designed symbols to describe weather phenomena.I have provided a thematic interpretation of my work, focusing on the themes of identity and spirituality. When people view my work they may have multiple interpretations, but a thematic explanation of each piece also provides information for the viewer to ponder. The paper also includes a discussion of work by other artists and ideas that have informed and developed my prints. This body of work required traditional printmaking techniques such as: intaglio, deep etching, chine cone, color printing and photomechanical transfer using imagON photopolymer film. / Department of Art

Title page and prologue v.2; Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / "The stone crown is, in part, a contemporary reworking of the Arthurian legend." -- abstract, [v. 2], p. v. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1284280 / Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2007

Despite the fact that conservation ideology has led conservation practice over the last quarter of a century, the removal of local residents from protected areas in the name of biological preservation remains the most common strategy in developing countries. Its wide-ranging impacts on displaced societies have rarely been properly addressed, particularly in regard to the establishment of parks. This thesis is based on 15 months fieldwork carried out among a group of displaced park residents known as Rana Tharus in the country of Nepal. They have long lived in Royal Shuklaphanta Wildlife Reserve in the far-western part of that nation. This thesis is largely inspired by recent academic advocacy that conservation-induced dislocations on rural communities are having a serious influence on policy implementation. Such advocacy is leading to more effective and pragmatic park policies. West, Igoe and Brockington (2006) point out that park residents are an indispensable part of protected areas and their cultural and economic interactions with parks occur in diverse ways. Without a full understanding of these interrelationships, any kind of forced conservation policies will be doomed to fail and cause severe disturbances to people’s lives. Like most protected areas in developing countries, this thesis shows that the unplanned resettlement scheme of Shulkaphanta failed to mitigate the socio-economic losses that Rana Tharus experienced due to their displacement. The ethnographic data notes that when attention is paid solely to the economic losses experienced by Rana Tharus, the social costs such as social exclusion, loss of culture, and psychological depression are rarely addressed in the dislocation program. An inadequate understanding of the links between protected areas and local livelihoods is one of the major causes for the continuation of park-people conflicts including Shuklaphanta. In this thesis, I demonstrate how the displacement and other social changes have gradually diminished the social and economic livelihoods of the Rana people. I argue that many of these social impacts were unexpected because Rana Tharus actively responded to all these changes by putting new social relations into effect. As a result, significant social transformations have occurred in contemporary Rana Tharu society. The undivided household unit was no longer their first preference when the new economic realities made themselves felt, and gender and patrilineal kin relationships became more tense. The traditional labouring system (Kamaiya) that existed between wealthy and poor Rana Tharus declined due to increasing poverty. All these had erased their ability to maintain sustainable livelihoods that they had previously enjoyed. Moreover, substantial loss of landownership had made it impossible for Rana Tharus to share equal social, economic and political status with the new migrants - the twice-born Pahaaris. These accumulated and unforseen results of conservation practices can only be well understood if a holistic analytical perspective is adopted. This thesis borrows the concept of sustainable household livelihood system and the social theories of practice, power and agency to explore the dynamic relationships between conservation, local livelihoods and culture. The stories told by the Rana Tharu provide some important lessons. I argue that dislocation programs should be put aside or at least closely reviewed if their hidden social impacts are not well understood or at least lead to some form of compensation. Such action may prevent the further expansion of park-people conflicts which are shown to hinder conservation efforts of Shuklaphanta and local sustainable livelihoods. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1369652 / Thesis (Ph.D.) - University of Adelaide, School of Social Sciences, 2009

Title page and prologue v.2; Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / "The stone crown is, in part, a contemporary reworking of the Arthurian legend." -- abstract, [v. 2], p. v. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1284280 / Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2007

Title page and prologue v.2; Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library. / "The stone crown is, in part, a contemporary reworking of the Arthurian legend." -- abstract, [v. 2], p. v. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1284280 / Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2007

Exegesis (Hon--Art and Design) -- AUT University, 2006. / Print copy is accompanied by CD. Includes bibliographical references. Also held in print (49 leaves : ill. ; 21 x 30 cm. + CD) in City Campus Theses Collection (T 709.93 LEE )