Thesis (Ph. D.)--Illinois State University, 2006. / Title from title page screen, viewed on February 4, 2008. Dissertation Committee: Katherine Ellison (chair), James Kalmbach, Claire Lamonica. Includes bibliographical references (leaves 164-177) and abstract. Also available in print.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.

Thesis (Ph. D.)--University of California, Berkeley, 1983. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 363-393).

This thesis examines drama and ideas of equity, judgement, and legality in early modern England. Drama of this age is a product of a society of disputation – and the debate surrounding the marginalised female is investigated here. Taking the lead from Ina Habermann, I argue that ‘equitable drama’ offered playgoers spaces of re-interpretive potential. Focusing initially on Arden of Faversham (1592) and A Woman Killed with Kindness (1603) I argue that these domestic tragedies focus on problematic homes during an ‘age of anxiety’. The Arden playwright engages in a re-interpretation of the murder of Thomas Arden – highlighting flaws in the legal resolution to this scandal to show how drama can probe injustice. Heywood’s A Woman Killed with Kindness illustrates an alternative domestic site of dramatic debate. Focusing on Heywood’s interrogation of acts of ‘kindness’ towards females, I suggest that Heywood demonstrates the workings of equitable drama removed from necessary correspondence to a specific real-life case. I then consider how three Jacobean dramas subject female witchcraft to in-depth equitable analysis. Contextualising Macbeth, Sophonisba, and The Witch within contemporary witchcraft debates, I suggest that these plays use witchcraft to interrogate a patriarchal society that reviled witchcraft whilst also demonstrating uncertainties about its reality. I conclude with The Witch of Edmonton (1621) – which is part witchcraft drama and part domestic tragedy. Within the depiction of the real-life ‘witch’ Sawyer, the audience is asked to question the iniquities of communal mob justice and the common law. Tracing new links between these works provides a sense of how early modern drama represented contentious issues surrounding gender, deviancy, and judgement. Ultimately, I argue that equitable drama is rooted in an early modern theatre informed by legal and social debate, which utilised interpretive difference to invigorate performance.

Thesis (Ph. D.)--University of Wisconsin--Madison, 2001. / Includes bibliographical references (p. 215-230). Also available on the Internet.

Thesis (Ph. D.)--Hessische Landes-Universität zu Giessen, 1912. / "Genehmigt durch das Prüfungskollegium am 8. November 1912." eContent provider-neutral record in process. Description based on print version record.

Thesis (Ph. D.)--University of Pennsylvania, 1932. / Bibliography: p. 129-131.

Inaug.-diss.--Breslau. / Lebenslauf. At head of title: Englische philologie. "Literaturverzeichnis": p. 95-96.

Thesis (M.A.)--Zhongguo wen hua xue yuan, 1978. / Cover title. Reproduced from ms. copy. Includes bibliographical references. Includes bibliographical references (p. 206-216).

Thèse--Grenoble. / Cover title.