Akademisk afhandling--Upsala.

Thesis (M.A.)--University of Wisconsin--Madison, 1967. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

Thesis (Ph.D.)--University of Delaware, 2006. / Principal faculty advisor: Bernard Herman, Dept. of Art History. Includes bibliographical references.

Zugl.: Berlin, Freie Universiẗat, Diss., 1996.

Thesis (D. Min.)--Mid-America Baptist Theological Seminary, 2000. / Includes bibliographical references (leaves 101-108).

Thesis (M.A.)--University of Alberta, 1952. / Includes bibliographical references (leaves 167-170). Also available online as part of: Our roots/Nos Racines.

Thesis (Ph. D.)--University of Chicago, 1897. / Includes bibliographical references (p. 155-159). Also available in digital form on the Internet Archive Web site.

Through time, Hospitalfield in Arbroath, Scotland, served as a pilgrim hospice, private home, art school, and artist residency centre. In the 20th century, its art school and residency programme enabled hundreds of artists to live, work, and learn within a unique educational environment. Despite its wide-reaching impact, Hospitalfield has remained an ethereal presence within scholarship. This thesis presents the first investigation of its significance to the development of 20th-century Scottish art. Part 1 examines Hospitalfield's importance as a place where artists, throughout the 20 th century, encountered new influences, formed communities, responded to the landscape, and developed their own practices. Its analyses provide new insight into the work and careers of well-known Scottish artists and introduce significant works by their lesser known contemporaries. It also explores the impact of Hospitalfield's institutional change upon the student experience and its relationship to broader trends in art and education. Part 2 focuses on the art and influence of Hospitalfield's resident 'Warden', James Cowie , (Warden from 1935-1948) and Ian Fleming (Warden from 1948-1954), arguing that Hospitalfield contributed to the development of Scottish art by enabling the evolution of Cowie's and Fleming's artwork and the dissemination of their influences. It presents new analyses of Cowie's and Fleming's work and contextualises their bodies of work within the painting culture of Scotland and beyond and traces how aspects of the Wardens' practices influenced multiple generations of artists. Both parts were informed by archival material, secondary sources, and oral history interviews conducted during the research process and archived in the Elphinstone Institute, University of Aberdeen for future educational use. In accordance with the research's funding arrangement between the Hospitalfield Alumni Association and the University of Aberdeen, Part 1 was written to be accessible to a generalist audience, while Part 2 is in an academic style.

This diploma thesis deals with design of house for living of two generations. The house is designed with the form of wooden frame structure with the extensive green roof system. In the first part, the thesis is focused to issues of energy efficiency and passive house standard of living. In the next part is described topic of the green roof. In the practical part is described selection of structural system, design of composition structures including requirement for implementation of construction works. Furthermore is performed thermal technical assessment of composition structures and calculation of energy balance according to PHPP. In the end is a brief description of static design of ceiling structure. The drawing part includes project and manufacturing documentation including solutions of important construction details.

The aim of this diploma thesis is to explore the aspects of gushing in malt house Bernard. The main focus of the theoretical part is on a description of production of malt and beer, the history of gushing and an overview of current information about problematics of over foaming. The practical part is divided into free parts. In the first part I monitored a gushing potential of malt produced in 2015 and 2016 in the malt house Bernard. In the second part I dealt with a connection of particular technological parts of malt production and an evolution of gushing potential of intermediates day after day. In the third part there were investigated various modifications of Carlsberg test and their effect on the intensity of gushing. Also, I analysed the factors influencing the outcomes measured in the same samples in the malt house and in the laboratory of a Research Institute of Brewing and Malting in Brno.