Source: Dissertation Abstracts International, Volume: 33-02, Section: A, page: 0780. / Thesis (Ph.D.)--The Florida State University, 1969.

Source: Dissertation Abstracts International, Volume: 33-05, Section: A, page: 2406. / Thesis (Ph.D.)--The Florida State University, 1972.

Source: Dissertation Abstracts International, Volume: 35-02, Section: A, page: 1149. / Thesis (D.Mus.)--The Florida State University, 1973.

Source: Dissertation Abstracts International, Volume: 33-05, Section: A, page: 2413. / Thesis (Ph.D.)--The Florida State University, 1972.

Source: Dissertation Abstracts International, Volume: 34-04, Section: A, page: 1953. / Thesis (Ph.D.)--The Florida State University, 1973.

Source: Dissertation Abstracts International, Volume: 34-07, Section: A, page: 4307. / Thesis (D.Mus.)--The Florida State University, 1973.

"Music for Piano and Eleven Players" is constructed as a three-part form which was derived from a sonata form. As with sonata form, there is an expository section, a development, and a recapitulation. However, the major differences are a second development section which serves as a slow movement and a recapitulation which has the character of a coda. / The harmonic language is tonal. Two types of tonality are in contrast throughout the work. The first type emphasizes one pitch and allows free chromatic use of the other eleven. The other type is a traditional tertian tonality. The important structural tertian tonalities are indicated by key signatures. / Source: Dissertation Abstracts International, Volume: 49-03, Section: A, page: 0376. / Major Professor: John Boda. / Thesis (D.M.)--The Florida State University, 1987. / "Music for Piano and Eleven Players" is constructed as a three-part form which was derived from a sonata form. As with sonata form, there is an expository section, a development, and a recapitulation. However, the major differences are a second development section which serves as a slow movement and a recapitulation which has the character of a coda. / The harmonic language is tonal. Two types of tonality are in contrast throughout the work. The first type emphasizes one pitch and allows free chromatic use of the other eleven. The other type is a traditional tertian tonality. The important structural tertian tonalities are indicated by key signatures.

Cast in a single-movement, arch-like form, Ezekiel relies upon changes of motive, texture, timbre, and pitch center for delineation of its various sections. The total duration of the piece is approximately fourteen minutes. / Both tonality (in the form of pitch centricity), and atonality were incorporated into the work. Harmonies are a result of incidental dissonance/consonance created by counterpoint, clusters, simultaneous sounding of pitches from tone rows, and intuitively constructed sonorities. / Themes and motives were derived largely from tone rows; however, serialism was not the most important consideration. The integrity of rows and row forms was compromised in favor of sonorities that provided a more aesthetically pleasing result. / Source: Dissertation Abstracts International, Volume: 51-01, Section: A, page: 0014. / Major Professor: Roy Johnson. / Thesis (D.Mus.)--The Florida State University, 1989. / Cast in a single-movement, arch-like form, Ezekiel relies upon changes of motive, texture, timbre, and pitch center for delineation of its various sections. The total duration of the piece is approximately fourteen minutes. / Both tonality (in the form of pitch centricity), and atonality were incorporated into the work. Harmonies are a result of incidental dissonance/consonance created by counterpoint, clusters, simultaneous sounding of pitches from tone rows, and intuitively constructed sonorities. / Themes and motives were derived largely from tone rows; however, serialism was not the most important consideration. The integrity of rows and row forms was compromised in favor of sonorities that provided a more aesthetically pleasing result.

Source: Dissertation Abstracts International, Volume: 12-05, page: 0632. / Thesis (Ph.D.)--The Florida State University, 1952.

Source: Dissertation Abstracts International, Volume: 24-01, page: 0323. / Thesis (Ph.D.)--The Florida State University, 1963.