Pan Africanism is strategy that emerges through a history of surviving oppression, methodology to understand thought and action, and theory that tests findings against sociopolitical context. History, methodology and theory are used to develop the historical trajectory that responds to invasion, slavery, colonization and neocolonialism in Belize. As such, three manuscripts are offered to outline the historical narrative of Belizean Pan Africanism, autoethnographic insights for the study of Pan Africanism, and the sociopolitical context that contemporary Pan Africanism in Belize rises out of. Kurt Young defines Pan-Africanism as: "a fusing of affirmations of African identity with libratory efforts at the level of the masses (2009:7). The study and practice of Pan Africanism should therefore aligned in objectives and strategy to interrupt oppressive conditions that impact communities within the African Diaspora. This project, therefore, operationalizes scholar-activism in history, method and theory to outline strategic action and collective subversion as Pan Africanist Praxis in Belize. / Doctor of Philosophy / White Colonizers invaded the shores of Africa, dislocating a people from their legacy and heritage. However, a strategy was formed to create a new legacy and heritage that broke the bondage of White supremacy that trapped Black bodies. From the enslaved that ran to forge a new path for their people, to those that shed blood for freedom, Pan Africanism has been a strategy that has incorporated thoughts of freedom into escape plans. This study builds a historical timeline for Pan Africanism in Belize, methodology for the study of Pan Africanism and an academic exploration of contemporary Pan Africanism in Belize. Pan Africanism as history, method and contemporary theory add to the body of knowledge by inserting Belize at the center of Pan Africanist theory and practice. The study and practice of Pan Africanism is aligned in objectives and strategy to interrupt historical and contemporary conditions that impact communities within the African Diaspora. This project, therefore, operationalizes scholar-activism in history, method and theory to outline strategic action and collective subversion as Pan-Africanist Praxis in Belize.

Thesis (M.A.) -- Central Connecticut State University, 2006. / Thesis advisor: C. Charles Mate-Kole. "... in partial fulfillment of the requirements for the degree of Master of Science in International Studies" Includes bibliographical references (leaves 113-117). Also available via the World Wide Web.

Marcus Mosiah Garvey was the leader of the largest and most populous Black Nationalist movement of the early twentieth century. The movement began in Colonial Jamaica in 1914 but became a transnational phenomenon having its greatest success in the United States and a rather variegated existence throughout the rest of the globe. The difference in trajectories of the Garvey movement has created a localized approach to the study of the movement. American historians have been at the forefront of this approach. To that end, this thesis attempts to unite the localized histories of the Garvey movement in order to emphasize the ideological continuities and discontinuities of this movement, a creation of colonial disaffection. / History of Garveyism in Jamaica, North America and West Africa

No description available.

Thesis (M.A.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 50-51).

Thesis (M.A.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 66-68).

The intention of this paper has been to look at how pan-African ideas about a common identity hav e been expressed and developed on the African continent since the period of decolonisation in the 1960s. By using social constructivist identity-theory I have looked at how identity can be constructed by the use of myths, stories, symbols and ‘othering’. Thereafter I used these ideas when analysing different official documents from pan-African movements such as the creation of the AU and its constitutive act to identify what tools that were used to construct a common African identity. Thereby I was also to see if there had been any change in how pan-African ideas have expressed African identity over time.

Thesis (Ph. D.)--University of Massachusetts Amherst, 2009. / Open access. Includes bibliographical references (p. 269-295). Print copy also available.

Since its emergence two decades ago, the Nollywood film industry is fast becoming social, cultural and economic phenomenon among Malawian audiences. Every year, Nollywood actors visit Malawi and some Malawi print media have columns dedicated to Nollywood. According to unofficial statistics carried out by this study, nine out of every ten film enthusiasts in Malawi’s rural areas are Nollywood fanatics, and at least seven out of ten people in the urban areas frequently watch Nollywood films. The films are more popular than both Hollywood and Bollywood films. It could be argued that this popularity is due to the reason that the films are cheaper to buy. Another reason is that the proliferation of free-to-air satellite dishes has made these films easily accessible for the Malawian audience. Notwithstanding these perspectives, this study reveals that unprecedented appeal to Nigerian made films is first and foremost a result of cultural identity. The study, carried out among nine communities across Malawi represented by focus groups, demonstrates that viewers enjoy watching the cultural portrayals manifested in the films by the characters which, they feel, are similar to their own real life and experiences. Taking into account the widespread patronage of Nollywood films, it is safe to assume that these films are making an impact on the local audiences. Based on focus group discussions and analysis of the six case study films by 83 participants in selected areas across Malawi between 2012 and 2013, the study findings indicate that there is a problem of power relations in Malawian society based on gender and iii sex. Men have the upperhand in decision making, access to resources and education opportunities. The study reveals that emergence of the films in Malawi is offering another perspective of gender and social relations: the films’ portrayal of women shows that it is possible for them to have equal opportunities and power relations as their male counterparts. As the case study films were representative of Nollywood films owing to the fact that they represented women/gender and gender relations similary, this study therefore suggests that the films have a potential to bring about social change in Malawian communities. Through the responses of participating audiences that encompassed both men and women, the study reveals that the cinematic portrayals, especially those of female characters, have the potential to change the social perception of women and womanhood. The study uses continentalisation ( as adapted in Omoniyi, 2014b) as a conceptual framework in interpreting and analysing audiences’ responses to female representations in Nollywood films. The study observes that both Nigerian (as depicted by the film characters) and Malawian audiences share common cultural aspects that are predominantly African. The study regards Nollywood as a vehicle of intra-continental cultural flow. For this reason, the study makes an attempt to explore the extent to which Nollywood could be effective in facilitating gender notions that are identical across African societies. The study claims that despite variations in certain elements, culturally, there are more commonalities than differences among Africans. Malawian audiences and in iv particular, female audiences could get an inspiration from the portrayals that would advance their cause in society. Arguably, the portrayals of militancy and some heroism in some female characters could go a long way to inspire the female audiences and instill confidence in them. Thus, exposure to the films for a long period could improve Malawians’ perception of women or womanhood. This thesis therefore argues that Nollywood is a vehicle for the flow of these engendered notions of power relations across the continent. Thus, these engendered notions should be identified as African approaches to gender, and with their emphasis on balanced power relations between male and female members of communities, they have the ability to/ they have a potential to deconstruct social gendered female stereotypes. This study therefore claims that Nollywood films in general offer positive, empowering representation of African women. Nollywood studies are a rather young research field, and the representation of women in those films has been poorly-studied area so far, with gender relations being largely ignored by scholars. The fact that this is the first study done on the reception of Nollywood in Malawi makes it arguably a unique and valuable contribution to knowledge.

From 1920 to 1980, British colonial authorities and post-colonial Tanzanian leaders struggled with African mobility and identities. State officials viewed border-crossers, including labor migrants, refugees, immigrants, and smugglers, as problematic. During the colonial period, persistent African mobility and flexible, multi-faceted identities led the state to abandon attempts to control African migrant laborers. As the state transitioned to independence, nationalist leaders created Tanzanian citizenship and claimed to embrace trans-border African mobility in order to reject colonial racist views and promote Pan-Africanism. However almost immediately following independence, concerns about security, political opposition, land-use, and the economy actually contributed to state attempts to harden borders. Examining citizenship legislation and border controls reveals the tensions between border-crossers, and the Tanzanian colonial and post-colonial governments. Border-crossers maintained long-term ties and regional identities, while both colonial authorities and post-colonial nationalist leaders sought to fix their identities and limit their movement across borders.