This study considers the relationship between landscape and the Arcadian funereal imagination in the context of eighteenth century Britain, arguing that the Arcadian landscapes imagined by the British elite were instruments of rituals facilitating the reformation and transformation of socioeconomic, political, and moral structures of the British empire. Drawing upon texts and landscape practices, three case studies are examined: Alexander Pope’s (1688-1744) Twickenham grotto and his descriptive letter to Edward Blount; Sir William Chambers’ (1723-1796) Dissertation on oriental gardening and his design for Kew gardens, Sir John Soane’s (1753-1837) manuscript Crude hints towards an history of my house in LIF and his house-museum in Lincoln’s Inn Fields in London. The landscape itinerary of Pope’s Twickenham villa, in relation to his letter to Blount, suggests that it was structured analogous to the initiatory route of the Eleusinian mysteries as accounted in Pope’s translation of the Odyssey. Noting Pope’s engagement with Freemasonry, associated with the Opposition party, I suggest this implied Odyssean journey not only metaphorically anticipates the restitution of the Stuart dynasty and the reassertion of a political order founded upon aristocratic land ownership, but is also a means by which the ‘initiates’ contest the Enlightenment ideal of a mind of autonomy. In relation to the Burkean sublime, Chambers’ Dissertation, an imaginary travel narrative, is read as a city landscaping theory which aims to shape the morals of British citizens exposed to the erosion of commercial society. Whilst the scenes of luxury in the Chinese gardens imply a double effect of commercial society, the funereal imagery of ‘the surprising,’ built upon the Burkean sublime-effect, is intended as a cure of moral corruption associated with luxury. Stimulated by geological notions (e.g. stratigraphy and catastrophism), Soane’s ruinous text of Crude hints, a mirror of the house-museum as well as the earth, illustrates a parallel between the ‘first principles’ of the movement of the earth and that of the mind, i.e. imagination and signification. The funereal imagination in the text, which itself represents simultaneous creation and destruction, is revealed to be the architect’s construction of an ideal language that can express the being of the nation and the self. This thesis ends with a theoretical discussion of the role of the funereal imagination in eighteenth century landscape and architecture, i.e. how British imperial identity was forged, transmitted, negotiated, and reconstructed constantly within the temporally and spatially extended discursive realm of Arcadian mythology.

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This is the first published edition of Suita Maryjna (1987), a nine-movement Marian suite intended for three-part treble chorus, string quartet and two flutes composed by the Polish neoclassicist composer Irena Pfeiffer (1912-1986). The work was most likely intended for performance during Pope John Paul II’s pilgrimage to the Wawel Cathedral in Cracow, Poland in June 1987. It is structured according to a Marian prayer service known as the Jasna Góra Appeal, first prayed in the Jasna Góra Sanctuary in Częstochowa, Poland when the nation gained its sovereignty in 1918. The appeal was popularized by Pope John Paul II, who prayed it across Poland during his pilgrimages. Following the 1987 pilgrimage, Pfeiffer sent a manuscript of Suita Maryjna to the Lira Ensemble, a professional ensemble in Chicago specializing in Polish music, song and dance. Pfeiffer played an important role in the Lira by serving as a long-distance artistic advisor and by providing co-founder and current artistic advisor Lucyna Migala with modern Polish compositions for nearly twenty-five years. Suita Maryjna became a cornerstone of the ensemble’s repertory and was performed frequently, including in a studio recording in 1996. This edition of Suita Maryjna is placed in the context of Pfeiffer’s career, with particular attention to her working relationship with Pope John Paul II and the Lira Ensemble. Moreover, it discusses how Suita Maryjna reflects archaism, one of several strands of Polish neoclassicism in which diverse styles from earlier historical periods are fused.

Detroit continues to stand out as emblematic of failing urban economies, infrastructure, density, and form. But its spatially dominant urban relationships also provide the opportunity required to transform unsustainable, expanding megalopolises. Taking lead from the recently established Detroit Works Project, De-Center transforms existing urban conditions to propose a network of urban islands that respond to the extreme conditions created through modern planning. It demands that architecture and urbanism act as a single project.

The Influence of Lucretius' De Rertun Natura and of its English translations by Thomas Creech and John Dryden on Alexander Pope's Essay on Man has not previously been adequately explored. As this thesis demonstrates, comparative analysis shows (1) that the Lucretiun poem is a model for Pope's manner of addressing the audience, for the pose of his speaker, and for his satiric and didactic style; (2) that the English translations of Creech and Dryden are sources of many verbal echoes and allusions and of a few rhymes; (3) that De Rerum Natura is the source of several controlling metaphors for the Essay on Man; (4) that similarities exist between the Lucretiun concept of order arising from disorder and Pope's concept of "discordia concors" and between the recognition of the cycle as the outer aspect of Nature in both poems; (5) that one of Pope's purposes is to refute the Epicurean religious beliefs professed by Lucretius; and (6) that a remarkable similarity exists between the ethical beliefs of Lucretius and those of Pope. The evidence suggests that De Reruzn Natura, and its translations by Creech and Dryden, should be considered major influences on Pope's An Essay on Man.

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Proefschrift--Amsterdam. / Appendices: Two letters to the Right Honourable Lord Byron in answer to his letter on the Rev. W.L. Bowle's strictures on the life and writings of Pope, by the Rev. W.L. Bowles (p. [89]-142)--Pope, Lord Byron and Mr. Bowles (article in the London magazine June 1821, by W. Hazlitt)--List of books, pamphlets, articles, etc., relating to the Pope-controversy (p. [166]-168). "Stellingen": 2 leaves laid in.

Proefschrift--Amsterdam. / Appendices: Two letters to the Right Honourable Lord Byron in answer to his letter on the Rev. W.L. Bowle's strictures on the life and writings of Pope, by the Rev. W.L. Bowles (p. [89]-142)--Pope, Lord Byron and Mr. Bowles (article in the London magazine June 1821, by W. Hazlitt)--List of books, pamphlets, articles, etc., relating to the Pope-controversy (p. [166]-168). "Stellingen": 2 leaves laid in.

Thesis--Catholic University of America. / "Select bibliography": p.xv-xxi.

Thesis (M. A.)--University of North Carolina at Greensboro, 2006. / Title from PDF title page screen. Advisor: Lisa Levenstein; submitted to the Dept. of History. Includes bibliographical references (p. 107-112).