This thesis is a study of the Saundarya Lahari, a Sanskrit poem associated with the Srividya Sakta Tantric tradition. It traces the movement of meaning between textual, ritual, and cultural spaces in order to understand the performed possibilities of the text. The Goddess as Sakti (power) both grants enjoyment and is the principle of that enjoyment: beauty, love, and worldly powers. These powers follow the movements of the text: its scanning of the Goddess from shining head to toe; the twinned movements of publicity (exoterism) and secrecy (esoterism); and the gestures and utterances of ritual performance. First the text is located among classical Sanskrit aesthetics, then as a devotional song (stotra), and finally as a manual for occult practice (prayoga). Situated in these contexts, the multivalence of the text comes to the foreground; mapping the tensions between these meanings is the starting point for the development of a Tantric hermeneutic.

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