Thesis (Ph. D.)--University of Chicago, Divinity School, June 2002. / Includes bibliographical references. Also available on the Internet.

This thesis is a study of the Saundarya Lahari, a Sanskrit poem associated with the Srividya Sakta Tantric tradition. It traces the movement of meaning between textual, ritual, and cultural spaces in order to understand the performed possibilities of the text. The Goddess as Sakti (power) both grants enjoyment and is the principle of that enjoyment: beauty, love, and worldly powers. These powers follow the movements of the text: its scanning of the Goddess from shining head to toe; the twinned movements of publicity (exoterism) and secrecy (esoterism); and the gestures and utterances of ritual performance. First the text is located among classical Sanskrit aesthetics, then as a devotional song (stotra), and finally as a manual for occult practice (prayoga). Situated in these contexts, the multivalence of the text comes to the foreground; mapping the tensions between these meanings is the starting point for the development of a Tantric hermeneutic.

No description available.

This thesis explores the Tantric transformational journey from sexual trauma to wholeness. The research question offers to explain, “What are the experiences of women who have experienced sexual trauma and have embraced the non-dual path of Tantra as a transformational journey to wholeness?” A phenomenological hermeneutic method of study was used to investigate and understand themes that surfaced from the coparticipants narratives. The narratives were gathered from research interviews that were conducted with the six co-participants. From these interviews, thirteen themes emerged. The following themes are: 1) discovering sexuality, 2) trauma: splitting the soul in two, 3) the betrayal bond of trauma 4) from betrayal by others to the betrayal of self, 5) befriending the self, 6) sacred spot healing, 7) releasement: a catapult into presence, 8) saying ‘yes’ to pain, saying ‘yes’ to pleasure, 8) embracing the open sky of awareness, 9) the power of presence in the here and now, 10) total freedom in the always, already, available ‘now’, 11) sublime and mundane: merging into oneness, 12) non-dual: vastness of oneness 13) suchness of life. Finally, a summary of findings as well as limitations of this study and the implications of counselling are discussed. / viii, 175 leaves ; 29 cm. --

Thesis (Ph. D.)--Washington State University, December 2006. / Includes bibliographical references (p.158-196).

Thesis (Ph. D.)--Washington State University, December 2006. / Includes bibliographical references (leaves 158-196).

This dissertation sheds new light on the nature and development of Hindu devotional religiosity (bhakti) by drawing attention to bhakti's understudied historical relationships with Tantra, Yoga, and Sufism. Specifically, this thesis explains the phenomenal rise of bhakti in early modern north India as a process of identity and community formation fundamentally connected to Sufi-inflected critiques of tantric and yogic religiosity. With the advent of the Mughal Empire in the sixteenth century, new alliances--most notably Akbar's with the Kacchvaha royal clan of Amer--led to the development of a joint Mughal-Rajput court culture and religio-political idiom in which Vaishnava bhakti institutional forms became key symbols of power and deportment, and thus bhakti communities became beneficiaries of extensive patronage. Through a study of the life and works of the important but little-known bhakti poet-saint Agradas, this thesis offers insight into how these bhakti communities competed for patronage and followers. If the rise of bhakti was inseparable from Mughal socio-political developments, it was also contingent upon the successful formation of a new bhakti identity. This thesis centers on the Ramanandi community at Galta, comparing them with the Nath yogis to show the development of this bhakti identity, one defined especially in opposition to the "other" of the tantric yogi and shakta. It also contributes a broad study of early modern bhakti poetry and hagiography demonstrating the rise of new, Sufi-inflected, exclusivist bhakti attitudes that stigmatized key aspects of tantric and yogic religiosity, and that therein prefigured orientalist-colonialist depictions of bhakti as "religion" and Tantra as "magic."

This thesis examines the complex interplay between colonial modernity and Sakta (goddess-centered) devotion in the context of an elite family of zamindars (landholders) in Bengal. One consequence of colonialism in Bengal was the efflorescence of overt Sakta religiosity among Bengal's elite. Religious practice, supposedly "protected" by the colonial order, became the site where indigenous elites expressed political will and, to an extent, resisted foreign domination. I argue that the zamindars of Bansberia in the Hugli district of Bengal were creative agents, engaging and resisting the various cultural ruptures represented by colonial rule in the eighteenth and nineteenth centuries. Employing analyses of archival material, contemporary ethnography, and architectural style, this thesis is an ethnohistory of a modern zamindari-kingdom that locates its political voice in an emblematic Sakta-Tantric temple. It demonstrates the powerful relationship between religion and politics in colonial Bengal and discusses the implications of this strong association in the contemporary context.

Thesis (M.A.)--University of Colorado, 1999. / Title from title screen. Accompanied by a bound paper guide which contains abstract, operating instructions and bibliographical references, and by a CD-ROM which provides access to the html files. (Direct access via the Web is not possible without the CD-ROM).

No description available.