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The paper analyses Hilary Mantel’s novel Bring Up the Bodies in terms of how it might correlate with the notion of Russian patriotism. The origin for the research lies in the official list of literature recommended for patriotic education in Russia that was compiled in late 2015 and is thus immediately connected with the surge of state-driven patriotism in the country following the 2014 annexation of Crimea. Bring Up the Bodies is among very few contemporary historical novels by non-Russian authors included in the list. The conducted analysis reveals certain features in the novel’s protagonist and his behaviour that might correspond with the understanding of patriotism and citizenship in Russians. Moreover, the paper argues that legal pragmatism practiced by the protagonist, as well as the very style of historical representation in the novel, that re-evaluates the historical figure of Cromwell and undermines subjectivity of the historical past, may be seen as legitimising contemporary politics in Russia by way of establishing a “tradition.”

The dissertation is devoted to the study of photographic images and their functions in the novel by Jonathan Coe “The Rain Before it Falls.” The paper describes the milestones of Coe’s formation as a writer and the main features of his style. Adhering to the English family novel genre helps to identify the impact of this tradition on the novel in question. Other objects of study include the history of creation of the novel, and the background for the use of visual means. Photographic image is analyzed from the point of ecphrasis theory. It describes the differences of structure, semantics, and functions of the pictural and photographic ecphrasis present in the novel. Understanding the nature and the functions of photographic ecphrasis proves important for delivering a reasoned interpretation of the novel “The Rain Before it Falls.” Investigation of the role of images opens up prospects for further study J.Coe’s creative work. / Диссертация посвящена исследованию функций фотографических изображений в романе Дж. Коу "Пока не выпал дождь". В работе описан творческий путь писателя и особенности его творчества. Прослеживается его связь с традициями английского семейного романа, оказавшая влияние на исследуемое произведение. Рассматривается история создания романа и предпосылки к использованию визуальных образов. Фотография анализируется с позиций теории экфрасиса. Описываются различия структуры, семантики и функций живописного и фотографического экфрасисов, присутствующих в романе. Фотографический экфрасис оказывается функционально важным для понимания романа "Пока не выпал дождь". Исследование роли изображений открывает перспективы для дальнейшего изучения творчества Дж. Коу.

В диссертации рассмотрена динамика образа героя и времени в русских исторических романах XIX века. На изображение героя и времени влияет историческая концепция автора. Историческое повествование включается в контекст вечных тем и проблем. Это сближает исторический роман с философским. Такая тенденция нашла воплощение в историко-философской дилогии Вс. С. Соловьева «Волхвы» и «Великий Розенкрейцер». / The dissertation examines the dynamics of the image of the hero and time in Russian historical novels of the 19th century. The historical concept of the author influences the image of the hero and time. Historical narrative is included in the context of eternal themes and problems. This brings the historical novel closer to the philosophical one. This trend was embodied in the historical and philosophical dilogy of Vs. S. Solovyov «Sorcerers» and «The Great Rosicrucian».