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Evoluce tvorby Mykoly Bažana: od avantgardy k socialistickému realismu (na příkladě autorských textů 20.-30. let 20. století) / Evolution of Mykola Bazhan's poetry: from avant-garde to socialist realism (illustrated by his works of 1920s-30s).Babak, Galyna January 2014 (has links)
This MA thesis is focused on the analysis of stylistic originality of Mykola Bazhan texts of the 1920-30s. The texts are considered in cultural and ideological context of this period, which is a result of a mixture of two artistic and philosophical platforms: avant-garde and socialist realism. Trying to reach this aim I trace the correlation of avant-garde and socialist realism poetic and cultural paradigms in Mykola Bazhan poems, the correlation which defines the stylistic originality of his texts from this period. The introductory chapter presents a detailed analysis of the development of Ukrainian literature in the late 19th - early 20th century. I focus on modernist and then on avant-garde movements and literature groups. One part of the MA thesis is dedicated to literary theory - I attempt to apply basic terms like "modernism", "avant-garde", "socialist realism", etc. to the area of my research. Another problem discussed is the change of Bazhan's approach to the communist ideology during several periods of his career. After that the dissertation shifts to philological and cultural analysis of several chosen poems of Mykola Bazhan in historical, philological and ideological contexts which were discussed in the previous chapters of my work. Keywords Mykola Bazhan, modernism, avant-garde,...
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Мифотворческие аспекты развития экранной культуры как новой парадигмы коммуникации : магистерская диссертация / Myth-creating aspects of the development of screen culture as a new communication paradigmДанилова, А. Н., Danilova, A. N. January 2019 (has links)
Диссертация посвящена теоретическому анализы мифотворческих аспектов в развитии экранной культуры (кино, ТВ, видео, компьютерные каналы и др.) как новой парадигмы коммуникации. В диссертационной работе, опираясь на отечественные и зарубежные источники, исследуется экранная культура как концепт информационной эпохи, устанавливается диалектика взаимосвязи в развитии культуры экрана и мифологизации реальности как динамической системы. Автором также доказано, что мифотворческие аспекты в экранной культуре являются важной формой конструирования новой виртуальной реальности, влияющей на общественное и индивидуальное сознание, на процесс социализации личности. В проектной части диссертации представлена научно-методическая разработка спецкурса для вуза «Мифологические аспекты современной экранной культуры» (онлайн-курс). / The dissertation is devoted to theoretical analyzes of myth-creating aspects in the development of on-screen culture (cinema, TV, video, computer channels, etc.) as a new communication paradigm. In the dissertation, relying on domestic and foreign sources, the screen culture is studied as a concept of the information era, the dialectics of the relationship in the development of the screen culture and the mythologization of reality as a dynamic system is established. The author also proved that the myth-creating aspects in the screen culture are an important form of constructing a new virtual reality that affects the social and individual consciousness, the process of personality socialization. In the design part of the dissertation presents the scientific and methodological development of a special course for the university "Mythological aspects of modern screen culture" (online course).
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