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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

「同文」的想像與實踐:日治時期台灣傳統文人謝雪漁的漢文書寫

蔡佩玲 Unknown Date (has links)
本文試圖以日治時期台灣傳統文人謝雪漁的漢文書寫為起點,探討其古典散文及小說作品如何在總督府同文政策的宣告下,書寫出對日治時期歷史、文化、文明、殖民等種種問題的回應與對話。文字背後隱藏著傳統文人在意會之餘,所嘗試拉扯出的交流、協商、混淆空間,由此梳理謝氏在「同文」政策下的漢文書寫承接或展開何種想像與實踐。故本文將以歷時性的觀察為主線,配合日治時期台灣傳統文人謝雪漁多重的社會角色與活動,了解其在重述、轉譯、再寫殖民者話語的過程中,進行怎樣的理解、思辯、斷接?如何將「同文」政策注入「漢文」書寫中?若日治時期的同文概念是政治手法的操作,那麼謝雪漁如何想像同文的過去、現在與未來?尤其,當同文被視為輔助殖民地同化的工具時,所發展出的國民性討論會有怎樣的複雜面貌?繼而在中日戰爭如星火燎原般擴大時,同化激化為皇民化,晚年的謝氏又是如何呼喊皇民論述?因而,本文將以傳統文人謝雪漁為個案研究對象,釐清親日士紳與殖民者間糾葛的關係,跨越殖民地時期親善/對抗的二元對立意識型態,以較為細膩的方式,省視日治時期台灣傳統文人被賦予新社會身分的同時,其精神面貌/創傷如何裂變/療癒。
2

日治時期台灣印刷媒體「世代」的誕生:暨陳逢源個案研究 / The birth of The Taiwanese print media generation in the Japanese colonial time: A case study of Chen Feng-yuan

藍士博 Unknown Date (has links)
本論文嘗試結合印刷媒體與世代這兩項過去在台灣文學研究中分別獨立的研究範疇,以印刷媒體世代的概念對應以往將日本統治時期的台灣知識社群區分為「傳統文人」或「知識份子」的研究傾向。一方面回頭檢視過去台灣文學研究對於世代概念的引用延伸概況,另一方面也透過卡爾‧曼海姆的世代理論,重新檢視日本統治時期的台灣人是如何透過現代印刷媒體的引進,促成一個文化世代的萌芽與成形。日治時期台灣地區在活字印刷媒體的影響下,形成了一個有別於過去的「文化重疊地域」,印刷品輸入的多源性特質創造了台灣文化的多向性特徵。自此以降,台灣文化菁英與印刷媒體刊物之間的關係愈形緊密,而過去所缺乏的「同時性」與「現實性」認知也越趨明顯,讓這些台灣人在共同參與印刷媒體刊物運作下而形成一個台灣歷史當中的特殊世代。本文在此將之定義為「印刷媒體世代」,進而以個案陳逢源來檢視上述論述的適切性,與未來後續研究運用上的可行性。 / This dissertation attempts to develop a new concept, the Taiwanese Print Media Generation, through integrating two separate research fields, the print media and the theory of generation. The aims of the new approach are twofold: first, to challenge a common conceptual usage of dividing the Taiwanese intelligentsia into “the traditional literati” and “the intellectuals;” second, to reexamine how did the colonial Taiwanese contribute to the origin and formation of a specific generation through introducing modern print media. This dissertation will argue that under the influence of modern print media, a “cross-cultural field” was formed in the colonial Taiwan. Various sources of publications have created diverse characters of Taiwanese culture. Since then, after recognizing the need for an instant system that transfers information of the reality, Taiwanese cultural elites and the print media developed into a tightened relationship. This relationship eventually created a special generation of, as this dissertation defines, the “Taiwanese Print Media Generation.” Finally, the author examines the argument mentioned above in terms of its validity and applicability.

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