本劇改編自真實故事，以一位即將步入社會的大四女孩為主角，通過描述她在大學畢業之際，愛情、生活、工作上所遇到的種種困境，為觀眾展現一個當代接受了高等教育的女性，如何在傳統思想的影響下，一步步妥協於愛情、家庭的名義，逐漸失去自我；又如何在經歷未婚先孕和男友出軌後醒悟，選擇重新找回自己的主動選擇權，並且在最後用墮胎反抗控制，做真正自己的故事。 本論文共分為創作理念、文獻探討、創作論述、創作檢討和劇本五個部分。創作理念首先說明了本故事的創作背景和創作初衷。文獻探討整理了關於女性墮胎、女性自主權的相關文獻，以及對我的創作產生影響的影視作品。創作論述主要闡述了故事的名稱、角色、情節等設計理念。創作檢討收錄了開題口試和讀劇發表時老師和同學的回饋意見，以及我自己一路走來的成長與收穫。 / This is a screenplay based on a true story describing a senior girl who encounters hardships in love, life and job seeking upon her graduation. It portrays how the contemporary woman influenced by the traditional ideology and eventually compromised in the name of love and family. She finally determined to restore herself and decided to have an abortion after betrayed by her lover. The thesis has divided into five parts: creation concept, literature review, script analysis, findings and discussion and finally the screenplay. Creation concept explains the background and purpose of the screenplay while finding discusses the feedback from the audiences.

探討上海地區女性的收入獨立和消費的滿意程度是否和女性自我意識的高漲成正相關。 / With the prosperity of Shanghai's growing economy, the self-awareness of Shanghai's women is continually rising and the thinking and behavior of Shanghai women are more independent. When it comes to consumption, what Shanghai females consume the most is to satisfy themselves or attract and please men. Is the consumption liberation and satisfaction greatly related to high women self-awareness? This article is to explore whether the economic independence of Shanghai female college students are directly linked to high female self-awareness or not; In addition, it is worth for us to explore and study more about these issues. If the higher consumption decision-making power of Shanghai female college students are related to the increased self-awareness of Shanghai women.