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論周芬伶小說的女性自覺 / The research on the feminine awareness in Zhou Fenling's novel蕭麗香 Unknown Date (has links)
周芬伶以「塑造一個女性的世代」為職志,用書寫反思傳統性別文化,透過「可以完全逍遙法外」的小說,讀者可以窺見周芬伶悖德背後的真誠;從女性自覺的角度切入,有助於調整讀者對歷史的認識和對傳統的印象,更開放女性未來定位的可能性,為道德的重構尋找出路,是一種實踐、辯證的過程。本論文以「論周芬伶小說的女性自覺」為題,研究架構如下:
第一章為緒論,說明本論文的研究動機與目的,其次回顧前人的研究成果,最後劃出研究範圍並提出研究方法。
第二章從女性在愛情、婚姻、母職中變遷的處境探討周芬伶小說女性意識的覺醒,周芬伶有意地從性別覺察的角度剖析筆下人物的內心世界,喚醒掙扎於傳統與現代之間的女性,並進而探索拋棄傳統包袱的可能性。
第三章歸納出周芬伶小說中具有女性自覺的人物典型,童女類型的女性透過身體逾越的形式和內涵,達到建構自我主體的開端,白雪公主呈現被弱化的女性,人魚代表被污名化的女性,賢妻扮裝的仙女暴露父權話語的漏洞,白蛇捍衛愛情,勇敢挑戰禮教。「惡女」呈現出女性在生存中更多元的風貌,心靈生病的女性則揭露、批判社會對女性主體意識的壓抑。
第四章以周芬伶小說的書寫策略為分析的焦點,周芬伶以複調手法行使自我的話語權,夢境書寫與魔幻寫實創造出內心的自主空間,身體書寫展現強大的言述權力,是生命力與創造力的出口,女性情誼與花園裡的樂園能對抗殘破的現實,反應宇宙的和諧秩序,重新整合女性的身與心。
第五章總結周芬伶小說女性自覺的五項特點:觀照新舊價值碰撞中的女性經驗、塑造更真實的女性角色、由內而外顛覆婚姻愛情的神話、營造掙脫束縛的多元空間、用身體敘述在父權想像中突圍。
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讓沈默者發聲:譚恩美小說《接骨師的女兒》中不可說性與女性意識之相互關係 / Making the silenced heard: interrelationship of “unspeakability” and female consciousness in amy tan's the bonesetter's daughter吳佳蓉, Wu, Sidney Jia-rong Unknown Date (has links)
本篇論文旨在探討譚恩美小說《接骨師的女兒》中女性自覺與 不可說的特性之間的相互關係。書中三位女主角都面臨各自的言語困難,然而,他們卻透過另類的語言方式,例如鬼魂的糾纏、阿茲海默氏症的副作用、沙盤上的書寫、甚且是保持沉默等管道,來為自己發聲。這些另類的發聲方式,說明了意義的展現是無法被永遠壓抑的,儘管是沉默無聲,也是語言的一種面向之呈現。書中女主角經由另類的語言方式,以及自傳式的書寫,三代不同時空中的兩段破碎母女關係,得以修補並縫合,並在發聲過程找到了屬於自己的女性自覺。 / This dissertation explores the relationship between the female self-consciousness and the characteristic of “unspeakability” in Amy Tan’s The Bonesetter’s Daughter. All of the three heroines in the novel have their own difficulty in speech acts: the grandmother is mute and later becomes a ghost; the mother is facing language gaps and is suffered from Alzheimer’s disease; the daughter has no direct access to Chinese language, so that makes her alienate from her mother. Suffered by their own linguistic problems, the three heroines thus develop their own alternative methods of articulation: the ghost haunts the living ones, and articulates through sand-tray writing with the help of her granddaughter; the by-effects of dementia allow the mother to speak the truth of the past; remaining silent makes the daughter hear her true intentions and reevaluate the difficulty that she is facing. Finally, the three heroines all dedicate themselves to autobiographical writings, for it is the only way to make the truth known and last. Through the help of alternative ways of articulation and autobiographical writings, the three women have opportunity to reexamine themselves and reshape their own self-consciousness.
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