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「二拍」中發跡變泰故事的重寫研究 / The Study of rewriting to “Er-pai” from Fajibiantai洪佩伶, Hung, Pei Ling Unknown Date (has links)
《初刻拍案驚奇》與《二刻拍案驚奇》前後共費時六年刊刻完成,作品中,可見凌濛初慘澹的獨立創作歷程,因而成就了「『二拍』是中國第一部文人獨立創作的白話短篇小說」之貢獻,雖然內容素材仍然諸多是建構在前人故事文本基礎之上,但經過凌氏的整理、加工、重寫與再創造之後,無不自出機杼,展現驚奇、獨特之處。其中,以「發跡變泰」為主題的故事,與當時明代的繁榮經濟相互結合、影響,進而反映在封建制度的桎梏下,備受壓抑的市民階層如何在精神上尋求解脫,如何傳達內心底層對於發家致富的想望與豔羨,又如何努力於透過自己的頑強奮鬥,在經濟上得富、在政治上得貴,最終掙脫封建枷鎖的羈絆,走向通暢安寧的「變泰」生活。因此筆者以「重寫」為切入視角,聚焦於「二拍」中「發跡變泰」的故事,透過分析、比較前文本與凌氏加工、敷演而成的重寫本,探究兩者間的同異之處,並以情節、人物刻畫、市民意識的呈顯為要。首先,梳理凌氏在情節重寫時,是以白話載體為主要敘述模式,並善用前人或自撰的詩詞、韻文和散文套語來簡練、豐富故事情節,且將情節落實於日常生活中,藉由巧合、偶然的寫作手法,達到曲折離奇、合理有趣的審美效果。其次,探究人物刻畫重寫時,所塑造的主角、配角的內、外在形象,動作、語言的描摹,及人物對比手法的運用,進而呈顯人物性格突出之處,及在性格引導、推進情節發展後,使故事不同於前文本的光彩煥發處。最後,探析故事所體現的市民意識,展現市民階層在商業觀、愛情觀、政治觀的態度及價值取向,從而瞭解故事背後所映照、流露出市民獨有的心理特質和思想感情。
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以艷為史:以《隋煬帝艷史》為主的小說現象考察 / Add glamour into history: novel investigation, center on “Sui Yang-Ti Yen-Shih”陸琬綿 Unknown Date (has links)
以皇帝作為描寫主角的小說,通常分為偏向傳奇軼聞或發跡變泰的歷史演義或英雄演義式小說,以及強調縱慾描述的艷情小說兩種,《隋煬帝艷史》在前人的研究中卻無法被歸類至任何一種當中,有的研究者視其為歷史演義,有的研究者卻認為不可忽視其人情世態的描寫,為歷史與人情二者合流後的作品,本論文即從此根基出發,試圖呈現小說中的獨特意涵。
筆者從《隋煬帝艷史》對於歷史資料與筆記小說的重寫情況切入,觀察小說特質如何轉化介入歷史題材,在通俗化的過程中吸引讀者的目光。論文第二章書名的「艷」字出發,以「重寫」的觀點釐清「艷」、「奇」等小說素材在《隋煬帝艷史》中如何被突顯與呈現,第三章則分析《隋煬帝艷史》如何沾染人情小說的元素以及對煬帝形象的塑造,第四章則探究歷史與小說間的關係,並以《隋煬帝艷史》及多部與隋煬帝相關的歷史演義小說作比較,觀察其間的關係。 / A novel which takes emperor as a leading role is usually be sorted into two groups, an interesting episode or a legend and a novel emphasizing indulging in sensual pleasure. However, “Sui Yang-ti Yen-Shih” can not be classified into any kind of type above in previous research. Some researchers take “Sui Yang-ti Yen-Shih” as a historical story, but some think that the depiction in sentiment and life is not allowed to neglect. This research is based on former discussion, and attempts to present unique meaning of novel.
Starting from rewriting historical documents and short stories, we observe that how the character of novel is added into historical materials, and how the author attracts readers in popularization process. The second section of our research starts from the title “yen,” and in the view of “rewrite,” we discuss how the glamorous and odd characters in “Sui Yang-ti Yen-Shih” is emphasized and presented. We analyze how “Sui Yang-ti Yen-Shih” touches sentimental factors, and how it builds the image of emperor, Sui Yang-ti, in the third section of this paper. The fourth section is to investigate the relationship between history and novel, and compare “Sui Yang-ti Yen-Shih” with other historical novels about Sui Yang-ti.
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