The research topic of this thesis is “A Study of Li Panlong’s Mimetic Poems”. Mimetic Poems are poems that imitate classical poems. Generally speaking, writers of Mimetic Poems tend to mimic poets who lived in earlier dynasties and had great achievements in poetry, in a way that the original outer language styles and inner spiritual essences are usually inherited. This thesis focused on the study of Li Panlong’s theory on poetry and his Mimetic Poems. From both the theoretical and practical points of view, the imitating situations of his poems were evaluated. This Paper analyzed Li Panlong’s Mimetic Poems from the perspectives of linguistics and psychology. The phenomenon of Li PanLong’s language usage in his Mimetic Poems was grasped through the theory of language as medium. Li Panlong’s state of mind when creating his Mimetic Poems was studied through the theory of literature psychology. Aiding with the method of “Close Reading”, Li Panlong’s Mimetic Poems were analyzed in details. Also, using the way of “Zhiren Lunshi”, the relationship between Li Panlong’s behavior of imitating and the social context in his times were discussed. After throughout study of Li Panlong’s theory on poetry and his Mimetic Poems, it was discovered that his theory on poetry was applicable in his Mimetic Poems. There were some “Niguyuefu” of Li Panlong which preserved the original outer language styles, some which inherited the inner spiritual essences, and some in which new elements of language were created. As for his “Nigushi”, the requirements of “Shu”, “He” and “Li” in his theory on poetry were fulfilled in the following sense. First, Li Panlong was familiar (“Shu”) with the works of Previous dynasties. Then either he ensured that the outer language styles of his “Nigushi” were similar (“He”) to the original works or he got rid of (“Li”) the influence of language in the original works, shifted to the standpoint of a critic, as well as supplemented and commented works of previous dynasties by the way of poetry imitating. Therefore, his theory and practice on poetry formed a mutual supporting system. 本論文的研究題目是〈李攀龍的摹擬詩研究〉。所謂“摹擬詩”，是通過摹擬古代詩歌而建構出來的詩歌模式。一般而言，摹擬詩具有明確的摹擬對象，而摹擬對象又是前朝有成就的詩人詩作，以追求所擬詩的外在詩學語言形式與內在精神意趣為要旨。本論文就是針對李攀龍的詩學理論及摹擬詩進行研究，從理論和實踐兩方面觀照李攀龍的詩歌摹擬情況。 　　本論文從語言、心理兩個角度進行研究，運用文學語言中介理論來把握李攀龍摹擬詩的語言面貌；利用文藝心理學理論來分析李攀龍的摹擬心理。並輔以“文本細讀”的方法，細緻分析李攀龍的摹擬詩； 同時以“知人論世”的方式，探討李攀龍的摹擬行為與其身處時代的關係。 筆者研究李攀龍的詩學理論與摹擬詩後，發現李攀龍的摹擬詩大體能貫徹其詩學理論。其擬古樂府既有“胡寬營新豐” 式的形似摹擬，也有“伯樂論天下馬”式的神似摹擬，更有做到“日新富有”的李氏新樂府。其擬古詩，則謹遵其詩學理論中“熟”、“合”、“離”的要求，先“熟”讀前人作品，進而在摹擬時，或力求擬作語言風貌“合”於原作；或儘量遠“離”原作的語言影響，站在評論者的立場，通過擬作補足、評論前人作品。其詩學理論與實踐因此形成了一個相互印證的嚴謹系統。 / published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / abstract / toc / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

孟森（1868-1938）先生曾言「中國自三代以後，得國最正者，惟漢與明。 匹夫起事，無憑藉威柄之嫌。為民除暴，無預窺神器之意。而明之驅元，又 多一光復華夏之功」點出了明太祖（朱元璋，1328-1398，在位1368-1398） 於國史上的地位在於「得國最正」及「光復華夏」，接著又提到「明祖有國， 當胡元盡紊法度之後，一切準古酌今，掃除更始，所定制度，遂奠二百數十 年之國基」、「清無制作，盡守明之制作，而國祚亦與明相等。故於明一代， 當措意其制作。措意明之制作，即當究心於明祖之開國」，歸納出「明祖開國」 於明清兩代五百餘年政治制度的意義。洪武時期於國史上的雙重意義，非常 值得我們探究，特別是太祖在「重造華夏」的過程底下傳統中國對外體制－ 「朝貢制度」是怎樣被重新構築。這一新體制不論在思想、禮儀、政制或是 貿易層面都呈現與別不同的面貌，並深深地影響明清五百餘年的軌跡。此即 討論太祖朝貢制度之因由。 因此，本文以思想、禮儀、政制、貿易四項課題為重心，分為七章：第 一章為導論，從研究回顧、論文架構、史料、定義交代本文的佈局；第二章 從洪武時期的對外詔令、敕撰書考察明太祖的天下觀、對外思想與「朝貢」 理念；第三章，先梳理歷代賓禮的流變以突顯明代之特色，繼而從朝會、冊 封兩方面，分析太祖對外思想所呈現「華夷定分」的秩序；第四章，從洪武 賓禮的發展與實踐說明「重造華夏」的過程及其於東亞各國的文化意義；第 五章，從中央、地方機構兩層面說明「朝貢制度」的對外事務是如何被太祖 被重塑，並分析遣外使節的特色；第六章，利用計量分析，從「給賜」與「貢 物」兩方面說明「朝貢貿易」對明初社會經濟的影響，並從通貨、海禁、廢 除市舶司等背景評析。第七章為結論，對洪武時期「朝貢制度」作全面的評 價。 Meng Sen ( 孟森,1868-1938), one of the pioneers of Ming studies, highlighted the significance of Zhu Yuanzhang (Ming Taizu, r.1368-1398) as a leader who “recovered China (from “barbarian Yuan rule) and founded Ming institutions which would subsequently be adapted by the Qing state. Zhu Yuanzhang’s achievements in re-shaping the pattern and context of traditional Chinese foreign relations by establishing the tributary system exemplify his reputation for “recreating Hua-xia (the historical Chinese polity). This dissertation takes the “tributary system (chaogong zhidu) of the Ming dynasty’s Hongwu reign as a case study, exploring its characteristics through the lenses of statecraft philosophy, rituals, institutions and trade. It comprises seven chapters. Chapter one illustrate the scope, the methodology, and the sources of this research. Chapter two analyzes Ming Taizu’s views of Tianxia, diplomatic thought, and the definition of “tributary expressed in imperial edicts. Chapter three examines the Ming tributary system’s features by comparing the developments of “guest rituals. Chapter four analyzes the process and influence of “recreating Hua-xia by evaluating Hongwu’s guest rituals as an example. Chapter five shows the formation and restructuring of institutions dealing with foreign relations. Chapter six discusses the effectiveness of tributary trade by reviewing its fiscal background and the exchange of tribute items and gifts. The final chapter is the conclusion. By adopting such approaches, this dissertation strives to present a comprehensive picture about the Hongwu emperor’s contributions to traditional Chinese foreign relations.

published_or_final_version / abstract / Chinese / Master / Master of Philosophy

 Li Kaixian (1502-1568), a scholar-official living in the mid-Ming dynasty, was renowned for his efforts in collecting books, both rare and common, and also for his talents in writing the literary genre called sanqu, a subcategory of the genre qu. While qu consists of drama and sanqu, nonetheless the attention devoted to the latter has been much weaker than the former within the academic circle. In the case of Li Kaixian, his dramas such as The Tale of A Treasured Sword have been reviewed much more frequently than his sanqu compilations. To fill up this gap, this thesis attempts to study in depth Li Kaixian?s sanqu. It is organized into 6 major chapters. The first chapter comes with an introduction reviewing the status of Ming sanqu as a whole and its social-ideological background, including a literature review on the subject. To facilitate a better understanding of Li?s rationales in writing sanqu, the second chapter deals with his life and the themes of his sanqu. The third chapter is an analysis of his thoughts towards the writing of sanqu, The fourth and fifth chapters mainly provide a critical review on Li?s sanqu, both thematically and aesthetically. The sixth chapter, a tentative evaluation of the status of Li?s sanqu, serves as the conclusion. / published_or_final_version / Chinese / Master / Master of Philosophy