- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 141 to 150 of 404 (0.009 seconds)| 141 |
Family values : filial piety and tragic conflict in Antigone and King LearAdamian, Stephen P. January 2003 (has links)
No description available.
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| 142 |
Knowing is not enough : Akrasia and self-deception in Shakespeare's MacbethShugar, Seth. January 2006 (has links)
No description available.
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| 143 |
Shakespeare and freedom of conscienceEarnshaw, Felicity. January 1998 (has links)
No description available.
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| 144 |
The moral architecture of the household in Shakespeare's comedies /Slights, Jessica. January 1998 (has links)
No description available.
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| 145 |
The history of Johnson’s Preface to Shakespeare: 1765-1934Klein, Jenny January 1936 (has links)
No description available.
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| 146 |
Studies to Stefan George's translation of Shakespeare's sonnets.Schlutz, Hennelore Michel. January 1969 (has links)
No description available.
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| 147 |
Brecht und ShakespeareSymington, Rodney. January 1968 (has links)
No description available.
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| 148 |
Inheriting The Motley Mantle An Actor Approaches Playing The Role Of Feste, Shakespeare's Update Of The Lord Of MisruleClateman, Andrew 01 January 2011 (has links)
Playing role of Feste in William Shakespeare’s Twelfth Night presents a complex challenge to the actor. Feste is at once a character in the world of the play and a clown figure with specific dramatic functions having roots in the Lord of Misrule of the English holiday and the Vice of the morality play. How can the actor playing Feste create a believable psychological portrayal that is aligned with the functions Shakespeare assigns the role? And be entertaining as well? I suggest that actor will benefit greatly from an exploration the traditional function of the clown its development in society and literature before Shakespeare, and how Shakespeare’s use of the clown developed, culminating in the writing of Twelfth Night. The actor will thereby have a better understanding of what Shakespeare might by trying to achieve with Feste,, and he (or she) may better find the motivations for Feste’s sometimes-enigmatic words and actions, which will, in turn, give shape and purpose to the clowning. I put this thesis to the test in preparing for and playing the role of Feste in Theater Ten Ten’s production of Twelfth Night in the spring of 2010 in New York City. My research and preparation will include: a substantial immersion in much of Shakespeare’s cannon, and viewing of performances of it (mainly on video); research on the role of the clown, how it developed through history until Shakespeare’s time, and how Shakespeare appropriated and developed that tradition, culminating in Feste; a performance history of the role; a structural analysis of Feste’s role in Twelfth Night; a character study of Feste; a rehearsal and performance journal documenting my ongoing iv exploration, challenges and choices. The main challenge, as I foresee it, is to arrive at my own unique performance of Feste while fulfilling both my director’s vision and Shakespeare’s intention.
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| 149 |
"The dark house and the detested wife" : sex, marriage and the dissolution of comedy in Shakespeare's problem playsFagan, Dianne. January 1997 (has links)
No description available.
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| 150 |
The still moment : a study of the relationship between time and love in Shakespeare's sonnetsHenderson, Liza Marguerite Bell. January 1985 (has links)
No description available.
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